Owner Nicole Graham works with volunteers from CFA and SES tries to dig out her horse “Astro” who became stuck up to his neck in mud at Avalon Beach on February 26, 2012 in Geelong, Australia. The tide was fast-rising, but the rescuers managed to get him out in time. (Photo by Peter Ristevski/Newspix)

For some reason, everything that comes from Australia is either very cute or very poisonous; sometimes cute and poisonous at the same time. For example, Slow Loris, which you probably have seen eating a ball of rice on YouTube, is actually a very poisonous creature, despite its extreme cuteness. Goodfellow’s tree-kangaroos, on the other hand, are all cuteness and no poison. Just look at its cute little snout and furry paws, as it gingerly scratches its stomach, while sitting on its hind legs! If you don’t find this creature adorable, nothing will be able to thaw your stone-cold heart.

Catherine Nelson is a visual artist who uses the digital medium to paint images together into personal and imaginary landscapes. Trained as a painter in Sydney and London and with years of experience in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, she now has dedicated her skills to her own art work combining the techniques from both these worlds into a new contemporary art medium. Her latest series have been exhibited in Australia, New Zealand, China, Korea, USA and Europe and have captivated audiences and art collectors in cities like Sydney, Paris, Los Angeles, Beijing and Seoul.

“The pygmy hippopotamus (Choeropsis liberiensis or Hexaprotodon liberiensis) is a large mammal native to the forests and swamps of western Africa (the specific name liberiensis means “of Liberia”, as this is where the vast majority live). The pygmy hippo is reclusive and nocturnal. It is one of only two extant species in the Hippopotamidae family, the other being its much larger cousin the common hippopotamus”. – Wikipedia

Photo: Monifa, a one month old baby Pygmy Hippopotamus takes a morning bath at Taronga Zoo on November 7, 2008 in Sydney, Australia. Monifa is the first Pygmy Hippopotamus to be born at Taronga Zoo in the past twenty three years. (Photo by Sergio Dionisio/Getty Images)

The artwork of Giant Horse Aboriginal rock art galleries in the Quinkan Country is seen on June 19, 2011 in Laura, Australia. The ancient aboriginal rock art in this region is some of the largest and oldest in the world, dating back over 15,000 years. Paintings, stencil art and engravings cover thelands traditionally home to the Kuku, Yalanji, Guugu Yimithirr and Kuku Thaypan people. As a UNESCO-identified top 10 rock art site in the world, international travelers visit the area to learn and understand the aboriginal culture through the artwork. (Photo by Mark Kolbe/Getty Images)

A dancer performs before a judging panel during the World Irish Dancing Championships in Dublin, Ireland on April 11, 2017. The April 9-16 event draws some 5,000 performers from Ireland and overseas, including from both the Irish diaspora in places like the United States and Australia as well as less likely countries such as Russia and Japan. (Photo by Clodagh Kilcoyne/Reuters)

Competitors take part in the International Medieval Combat Federation World Championships at Scone Palace on May 10, 2018 in Perth, Scotland. Thousands of visitors are expected to attend the crowning place of Scottish Kings, Scone Palace for the IMCF World Championships which has five hundred competitors and officials from all over the world, from the UK to as far afield as Australia, South Africa and Mexico. (Photo by Jeff J. Mitchell/Getty Images)

Imagine living in the sea where it is permanently dark, cold, and food is hard to find. For many animals at depth, it may be weeks to months between meals. If you find something to eat, you have to hang on to it. This is why so many deep-sea fishes have lots of big teeth. This dragonfish, spotted off the coast of Australia, even has teeth on its tongue. They would be terrifying animals ... if they weren’t the size of a banana. (Photo by Julian Finn/Museum Victoria)