The German Society for Nature Photography (GDT) has selected its Nature Photographer of the Year 2020. Here: Winner, Other animals. Jens Cullmann – Danger in the Mud. Crocodile in a drying pool. (Photo by Jens Cullmann/2020 GDT Nature Photographer of the Year)

Nottingham-based Vic Fearn & Co. has created unusual coffins in the shape of beer and whiskey bottles, the Angel of the North, guitars and in a geometric style. The handmade caskets cost as much as £5,000 ($6,200). Here: A coffin in the shape of a fish which has been handmade. (Photo by Caters News Agency)

These photos were snapped at just the right moment – leading to some truly unusual images. Some of the pups are sticking out their tongue, while others are just looking at the camera – and the results are hilarious. Cat Race, 33, a dog photographer from Preston, Lancashire, in the U.K., captured the funny moments in the northwest of England over the past two years. Here: Tillie. (Photo by CatsDog Photography/Caters News Agency)

The Photo London Master of Photography award is given annually to a leading contemporary photographer. A special exhibition shows new and rarely seen images from Burtynsky’s portfolio. Here: Morenci Mine #2, Clifton, Arizona, USA, 2012. (Photo by Edward Burtynsky/Metivier Gallery, Toronto/Flowers Gallery, London)

Jonny Joo, 23, visits derelict malls, stations, towers and other places because they remind him of Silent Hill – a psychological horror video game which was made into a film. “When I first started exploring places, so many would remind me of the game. It was a world I was kind of obsessed with because of how dark and eerie it looked”, Joo said. His book, titled “Empty Spaces”, will feature 116 images and is being released this week. Photo: A glass-walled corridor at Cleveland's abandoned aquarium in Ohio. (Photo by Jonny Joo/Barcroft Media)

Young Swiss photographer Cyril Porchet’s final year show included this awesome series of the most opulent Baroque church altars he could find in Spain, Austria and Germany. His intention was to explore the seductive power of display. What is extraordinary is how much you lose all sense of perspective and depth, such is the overabundance of detail. I like how the odd feature confuses all the more; like the red rope of the ornamental light in the image below for instance which neatly splices the image in half. I could pore over these for hours and hours.