Japanese artist Hikaru Cho is already well-known for her bizarre and realistic body paintings, but now the Tokyo-based artist has applied her talent to everyday food items as well. In her playful “It’s Not What It Seems” series, she turns common foods into other kinds of food using only acrylic paint and her extraordinary talent.

“KRANG from Teenage Mutant Ninja Turtles! This oversized belt buckle is BIG, but more comfortable and wearable than you would expect. Cast in urethane resin from an original clay sculpture, hand-painted, and hard-coated with polyurethane clear coat, it's durable too. The best part is with just a few more items, this buckle is the perfect size to be used as part of a Krang costume for toddlers on Halloween or at comic conventions”.

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Two years ago, Mark Rober was an engineer at NASA’s Jet Propulsion Laboratory in Pasadena, California, part of a team that worked on the Curiosity rover. For Halloween, he strapped an iPad to his chest and another to his back. Then he turned them on and used the devices’ cameras and screens to make it appear as if he had a gaping hole in the middle of his torso. (Photo By Mark Rober)

Vietnamese artist Hoang Tien Quyet produces curved paper forms using a difficult technique known as wet-folding. This adds an element of sculpture to the work, making Hoàng’s origami animals truly remarkable. Too little water and the paper dries before the folding is done; too much water, and the paper will rip.

Vendors sell clothes on the roadside at a second-hand street side clothing market in Mumbai January 28, 2015. The market is open daily for three hours and hundreds of vendors gather to barter or sell used clothing. (Photo by Danish Siddiqui/Reuters)

US Vogue’s top fashion editor works with photographers to inject style with sci-fi and fantasy. A new book, “Stoppers: Photographs from My Life at Vogue” by Phyllis Posnick and Vogue’s chief editor, Anna Wintour, highlights the results. Here: Surburban Woman #10, Mountainville, New York, August 2006. (Photo by Steven Klein)