Spectators pose for a photo upon entry for Derby Day at Flemington Racecourse on October 30, 2021 in Melbourne, Australia. Victoria's COVID-19 restrictions have eased to allow spectators to return to Flemington racecourse for the first time since 2019. (Photo by Asanka Ratnayake/Getty Images)

A Hong Kong Correctional Services Dog Unit (CSDU) officer demonstrates training at the CSDU training facility in Stanley, Hong Kong, China, 27 February 2018. The Hong Kong CSDU consists of 29 staff members divided across six dog teams. According to the department's latest figure from 2017, the average daily penal population of Hong Kong was 8,529. (Photo by Jérôme Favre/EPA/EFE)

Journalists practice social distancing outside a meeting to wrap up work on coronavirus economic aid legislation to prevent the spread of coronavirus disease (COVID-19) in Washington, U.S., March 21, 2020. (Photo by Mary F. Calvert/Reuters)

“Horst Ludwig Wessel (October 9, 1907 – February 23, 1930) was a German Nazi activist who was made a posthumous hero of the Nazi movement following his violent death in 1930. He was the author of the lyrics to the song “Die Fahne hoch” (“The Flag On High”), usually known as Horst-Wessel-Lied (“The Horst Wessel Song”), which became the Nazi Party anthem and, de facto, Germany's co-national anthem from 1933 to 1945”. – Wikipedia

Photo: German Nazi activist Horst Wessel (left) at the head of a parade of S.A. stormtroopers, or “brownshirts”, in Nuremberg, Germany, 1929. (Photo by Hulton Archive/Getty Images)

A woman looks towards part of an artwork called “Lichen! Libido! (London!) Chastity!” by Anthea Hamilton, one of the four artists shortlisted for the Turner Prize 2016, as it is displayed at the Tate Britain gallery in London, Monday, September 26, 2016. The Turner Prize aims to promote public debate around new developments in contemporary British art. (Photo by Kirsty Wigglesworth/AP Photo)

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)

A man photographs Anila Quayyum Agha's “Intersections” art work on the first day of ArtPrize at the Grand Rapids Art Museum in Grand Rapids, Mich. on Wednesday, September 24, 2014. (Photo by Emily Rose Bennett/AP Photo/The Grand Rapids Press)

Swedish photographer Paul Hansen won the 2012 World Press Photo award Friday for newspaper Dagens Nyheter with a picture of two Palestinian children killed in an Israeli missile strike being carried to their funeral.

Photo: In this photo provided on Friday February 15, 2013 by World Press Photo, the 2013 World Press Photo of the year by Paul Hansen, Sweden, for Dagens Nyheter, shows two-year-old Suhaib Hijazi and her three-year-old brother Muhammad who were killed when their house was destroyed by an Israeli missile strike. Their father, Fouad, was also killed and their mother was put in intensive care. Fouad's brothers carry his children to the mosque for the burial ceremony as his body is carried behind on a stretcher in Gaza City, Palestinian Territories, November 20, 2012. (Photo by Paul Hansen/Dagens Nyheter/AP Photo)