Jockeys spur buffalos during the Makepung buffalo races at Jembrana in Bali, Indonesia on October 23, 2016. Makepung is a tradition for farmers to celebrate a bumper harvest in Bali. (Photo by Kadek Raharja/Xinhua/Barcroft Images)

Playboy Bunnies pose for a selfie at the premiere of “The Transporter Refueled” at Playboy Mansion in Los Angeles, California August 25, 2015. The movie opens in the U.S. on September 4. (Photo by Mario Anzuoni/Reuters)

A timber truck driver (L) dressed as Father Frost is saluted by a soldier at the Kremlin's Spasskiye (Saviour) Gate in Moscow, Russian Federation, on December 24, 2013. (Photo by Vyacheslav Prokofyev/ITAR-TASS/ZUMA Press)

A boy looks inside the skull of a Tyrannosaurus Rex replica at the Egidio Feruglio Museum in Trelew, Argentina, in this May 18, 2014 file photograph. Scientists on July 28, 2015 unveiled a comprehensive analysis of the teeth of the group of carnivorous dinosaurs called theropods, which include the Tyrannosaurus Rex, detailing a unique serrated structure that let them chomp efficiently through the flesh and bones of large prey. (Photo by Maxi Jonas/Reuters)

Jack, a Lurcher from Dogs Trust Salisbury, walks past a window display of models in a Dogs Trust shop window in Salisbury, as part of a campaign to discourage the impulse buying of dogs ahead of Valentine's Day, on February 10, 2014. (Photo by Matt Alexander/PA Wire)

“Erwin Olaf is a Dutch photographer. Olaf is most famous for his commercial and personal work. His work has received many awards and he has held exhibitions around the world”. – Wikipedia. Photo: «Berlin» Project. Porträt 01, April, 22, 2012. (Photo by Erwin Olaf/Hasted Kraeutler Gallery)

Miley Cyrus broke onto the scene as “Hannah Montana” in 2006. Since the show ended, she’s been desperate to shed the Disney image, first with “Can’t Be Tamed” in 2010, then with open marijuana use and twerking on Robin Thicke’s crotch in 2013. (Photo by Getty Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)