Samba dancers arrive to perform ahead of the athletics competitions of the 2016 Summer Olympics at the Olympic stadium in Rio de Janeiro, Brazil, Sunday, August 14, 2016. (Photo by Jae C. Hong/AP Photo)

Elio Angulo (bottom C) lies inside a cardboard coffin next to Alejandro Blanchard as they introduce their product to potential customers at a mortuary in Valencia, in the state of Carabobo, Venezuela August 25, 2016. When Venezuelan entrepreneurs Alejandro Blanchard and Elio Angulo decided to create cardboard coffins, they were looking for an ecological selling point to compete against classic wood and brass caskets. Three years on, with the oil-rich country mired in deep economic crisis, their “bio-coffins” are becoming a viable option because of high prices for wooden coffins and shortages of brass ones. (Photo by Marco Bello/Reuters)

Riot police stand guard behind a fire as refinery workers hold a blockade of the oil depot of Douchy-Les-Mines to protest against the government's proposed labour reforms, on May 25, 2016. Refinery workers stepped up strikes that threaten to paralyse France weeks ahead of the Euro 2016 tournament as the government moved to break their blockades, escalating a three-month tug-of-war over labour reforms. (Photo by François L.O./AFP Photo)

Silhouetted against the warm sunset skyline and the illuminated Tokyo Tower, visitors are reflected on the glass walls of a rooftop observation deck Thursday, January 21, 2021, in Tokyo. (Photo by Kiichiro Sato/AP Photo)

Sister Kate and Sister Claire pose on the beach to promote the documentary film “Breaking Habits?” at the Cannes Film Festival on May 09, 2018 in Cannes, France. (Photo by Regis Duvignau/Reuters)

A “mozos”, is caught by the horn of a bull of Miura ranch during the last “encierro”, or running-with-the-bulls, of the Sanfermines festivities in Pamplona, Spain, 14 July 2019. (Photo by Daniel Fernandez/EPA/EFE)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)

Fans of American singer Taylor Swift, also known as a Swifties, shelter from the rain as they arrive for Swift's concert in Sydney on February 23, 2024. (Photo by David Gray/AFP Photo)