Norway's Karsten Warholm celebrates winning the men's 400m hurdles at the Diamond League in London, July 21, 2018. (Photo by Andrew Boyers/Action Images via Reuters)

An image captured by Jasmine Vink, the winner of the wildlife and animal category and overall winner in Australian Photography’s 2018 Photographer of the Year competition. (Photo by Jasmine Vink/Australia's 2018 Photographer of the Year by Panasonic)

The sun rises between Sgurr nan Gillean and Knight’s Peak, Black Cuillin, Isle of Skye. (Photo by Adrian Trendall/Mountain Photo of the Year)

“Misty Rainbow”. A rainbow appears over tea fields in Tangerang Selatan, Indonesia. (Photo by Dani Agus Purnomo/Royal Meteorological Society’s Weather Photographer of the Year Awards)

Winner, photojournalism. Elephant in the room, by Adam Oswell, Australia Zoo. Visitors watch a young elephant performing underwater. Oswell was disturbed by this scene, and organisations concerned with the welfare of captive elephants say performances like this encourage unnatural behaviour. In Thailand, there are now more elephants in captivity than in the wild. With the Covid pandemic causing tourism to collapse, elephant sanctuaries are becoming overwhelmed with animals that can no longer be looked after by their owners. (Photo by Adam Oswell/Wildlife Photographer of the Year 2021)

A woman poses for a picture taken by her friend (not in picture) in a temple decorated to celebrate Chinese New Year at Samut Prakan province outside Bangkok February 7, 2016. (Photo by Jorge Silva/Reuters)

A stuffed rabbit doll sits among children's beds standing in the abandoned kindergarten of Kopachi village located inside the Chernobyl Exclusion Zone on September 29, 2015 near Chornobyl, Ukraine. Kopachi, a village that before 1986 had a population of 1,114, lies only a few kilometers south of the former Chernobyl nuclear power plant, where in 1986 workers inadvertantly caused reactor number four to explode, creating the worst nuclear accident in history. (Photo by Sean Gallup/Getty Images)

A year after hundreds of thousands of migrants and refugees snaked their way across southeastern Europe and onto television screens worldwide, the roads through the Balkans are now clear, depriving an arguably worsening tragedy of its poignant visibility. Reuters photographer, Antonio Bronic revisiting the people-packed locations where he and his colleagues captured last year's diaspora, found empty roads, unencumbered railway tracks and bucolic countryside. (Photo by Antonio Bronic/Reuters)