Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)

“A Hadaka Matsuri (“Naked Festival”) is a type of Japanese festival, or matsuri, in which participants wear a minimum amount of clothing; usually just a Japanese loincloth (called fundoshi), sometimes with a short happi coat, and rarely completely naked. Whatever the clothing, it is considered to be above vulgar, or everyday, undergarments, and on the level of holy Japanese shrine attire. Naked festivals are held in dozens of places throughout Japan every year, usually in the summer or winter. The most famous festival is held in Okayama, where the festival originated. Every year, over 9,000 men participate in this festival”. – Wikipedia

Photo: Japanese men wear loincloths as they splash about in freezing cold water during Saidaiji Naked Festival, at Saidaiji Temple on February 18, 2012 in Okayama, Japan. (Photo by Buddhika Weerasinghe/Getty Images)

These sand-swept images show the ghostly remains of what was once a mineral-rich mining community. In its heyday, the town of Kolmanskop, Namibia, was home to about 700 families. Now all that remains are empty homes filled with sand, while cast-off items such as bathtubs are scattered about the surrounding area. Over time, the sand of the stunning dunes that encircle the town of Kolmanskop has been blown towards the abandoned residences, coating everything from streets to the interiors of houses and workshops. Here: Kolmankop, an abandoned mining town in Namibia. (Photo by David Ogden/Caters News)

Dutch artist Maxim Gazendam works on his sand sculpture during the third edition of the European Championship Sand Sculpting 2014 in Zandvoort aan Zee, The Netherlands, 08 August 2014. Eight sculptors from different European countries will each create an impressive sculpture on the main theme “Music and Dance”. (Photo by Remko De Waal/EPA)

Eduardo Alan of Argentina and Pampa Racing gets his Yamaha motorbike stuck in the sand during stage five of the 2012 Dakar Rally from Chilechito to Fiambala on January 5, 2012 in Fiambala, Argentina. (Photo by Bryn Lennon/Getty Images)

Workers unload baskets of sand from ships in Gabtoli Launch Ghat, Dhaka, Bangladesh in the first decade of February 2025. (Photo by Rakibul alam Khan/Solent News)

These kaleidoscopic images are the work of one persistent photographer’s efforts to capture vibrant hues at the exact moment a wave breaks. Ryan Pernofski‘s stunning shots feature brilliant yellows, reds, blues and purples as an array of sunlight hits the water at the perfect time. What’s even more impressive: Ryan, a 27-year-old Australian, began shooting his popular masterpieces without using a professional camera, taking his iPhone out into the water instead. Ryan began experimenting with this method in 2012, using an underwater housing to protect his phone, as he could not afford a professional camera. (Photo by Ryan Pernoski/Caters News Agency)

Kiritimati is a far-flung outpost of the Republic of Kiribati. The world's largest coral atoll, Kiritimati has just one flight a week to either Fiji or Hawaii, four-and-a-half hours in either direction. Tarawa, the capital of Kiribati lies nearly 3,300 km (2,000 miles) to the west – about three weeks by boat. No lawyers are based on Kiritimati and the High Court only comes once or twice a year to clear a backlog of the most serious cases, bringing a public lawyer for defendants who can't afford their own. (Photo by Lincoln Feast/Reuters)