A car stands in water on Ferry Road after two magnitude 6.0 and 5.5 earthquakes struck on June 13, 2011 in Christchurch, New Zealand. The aftershocks have followed four months after the major eathquake which hit the city on February 22, 2011 resulting in the deaths of 181 people. (Photo by Martin Hunter/Getty Images)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

Tattooist Jay Freestyle, who is based in Amsterdam, creates what only can be described as works of art that last forever on his clients' skin. His style is freehand – without any sketch or stencil and he inks the incredible drawings straight onto body parts. They might look expertly planned, but the swashes of colour, detailed line work and geometric shapes are all the result of some clever improvisation. Photo: An amazing example of his mixed style. (Photo by Jay Freestyle/360 Media Solutions)

An artist has created a homage to cultural and historical figures – by immortalising them as Star Wars characters. Mike Leavitt wanted to “document the pulse of our times” through his sculpture by splicing non-fiction characters with famous faces. He chose the sci-fi trilogy as a basis for what he calls his “pop culture satirical mash-ups”, with many of the pieces hand-carved from wood. The hilarious results include Albert Einstein as R2D2, Michael Jackson as an Ewok and Angelina Jolie in Princess Leia's famous slave girl outfit. Photo: Gandhi as Yoda. (Photo by Mike Leavitt/Rex USA)

The Atlantic Puffin is definitely a curious-looking bird. The special coloring that this bird develops for the breeding season in the spring is very reminiscent of tropical birds. The bright colors of the beak and the markings around the eyes serve no particular advantage and have evolved as a result of sexual selection. However, Puffins don’t look that pretty all year round. They shed all these festive colors in partial moult after the breeding season is over. They lose the ornaments around their eyes, their face becomes darker, and their beak becomes very different. The natural habitat of these birds is the cold waters of the North Atlantic Ocean.

The kinetic sculptures created by Anthony Howe are nothing short of a miracle. You simply cannot wrap your mind around the fact that these creations are real. The magic comes from the fact that all the creations of Anthony Howe were first digitally modeled and only then wrought from metal. The resulting pieces of art are mystifying, entrancing, and sometimes even terrifying. For example, one of the earlier creations of Howe is an installation called “About Face”. It is a human face, pieces of which move from side to side, even if there is just a gentle breeze. However, most of his creations are mesmerizing, capturing your mind, as you marvel at their intricacy.

When you look at the picture of a furry pig that resembles a sheep from a distance, you may think that this may be the result of the work of some crazy scientist that tinkered with the pig’s genome. However, in this case, this is not true. Mangalica is a natural breed of pigs, which were bred in Europe for their lard. This breed of pigs is very unique, since the only other breed of pigs which had a long coat was Loncolnshire Curly Coat, which is now extinct. In the past, these pigs were quite popular, since they were able to produce a lot of lard. However, when the demand for pig lard dwindled, the population of these pigs rapidly decreased, making it a “rare breed”.

A young boy rests by empty USAID vegetable oil tins in the Dagahaley refugee camp which makes up part of the giant Dadaab refugee settlement on July 19, 2011 in Dadaab, Kenya. The refugee camp at Dadaab, located close to the Kenyan border with Somalia, was originally designed in the early 1990s to accommodate 90,000 people but the UN estimates over 4 times as many reside there. The ongoing civil war in Somalia and the worst drought to affect the Horn of Africa in six decades has resulted in an estimated 12 million people whose lives are threatened. (Photo by Oli Scarff/Getty Images)