A displaced Yemeni woman from Hodeida fills water containers at a make-shift camp in a village in the northern district of Abs in the country's Hajjah province, on May 9, 2019. The Yemeni conflict has triggered what the United Nations describes as the world's worst humanitarian crisis, with 3.3 million people still displaced and 24.1 million in need of aid. (Photo by Essa Ahmed/AFP Photo)

In this Tuesday January 21, 2014, file photo, slaughtered chickens are displayed for sale at a wholesale poultry market in Shanghai. The Chinese government on Tuesday, June 1, 2021, says a 41-year-old man has contracted what might be the w0orld’s first human case of the H10N3 strain of bird flu, but the risk of large-scale spread is low. (Photo by AP Photo/File)

Ukrainian platoon commander Mariia talks on the phone in a position in the Donetsk region, Ukraine, Saturday, July 2, 2022. Ukrainian soldiers returning from the frontlines in eastern Ukraine’s Donbas region describe life during what has turned into a grueling war of attrition as apocalyptic. Mariia, 41, said that front-line conditions may vary depending on where a unit is positioned and how well supplied they are. (Photo by Efrem Lukatsky/AP Photo)

Austrian photographer Klaus Pichler has come up with an interesting and creative take on portrait photography – his photo series “Just The Two Of Us” features portraits of people dressed as their cosplay alter-egos. What’s fun about this series is that it seems to combine the costumed characters and the people wearing them, as the sometimes-fearsome characters are photographed in the relatively tame safety of their own homes.

Renowned amphibian and reptile photographer Matthijs Kuijpers has released his first book, “Cold Instinct”. Kuijpers says the aim of the work is “for the viewer to abandon the fear and negative thoughts that often surround these animals”. What’s left is the bizarre beauty of these creatures in their simplest form – no backgrounds and no distractions. Here: Mossy frog (Theloderma corticale). (Photo by Matthijs Kuijpers/The Guardian)

This 1931 Stutz DV-32 convertible sedan has 66,000 miles on its odometer and its original leather luggage awaits its first complete restoration Tuesday, March 5, 2013 at L'Cars Automotive Specialties in Cameron, Wis. The company which does high-end restoration and customization work classic cars that have won awards at the world-renowned Pebble Beach Concours d'Elegance. Winning cars include a 57c Bugatti, Rolls Royce PIII V12, V12 Aero coupe, T44 Bugatti, T55 Bugatti, T38A Bugatti, Mercedes Benz 290 Roadster, Rolls Royce Silver Ghost, T57 Bugatti, 1929 Duesenberg J, Mercedes Benz 540K cabriolet, Talbot Teardrop and a 1931 V16 Cadillac convertible. (Photo by Mark Hoffman)

Two rainbows emerge from a black storm above the mountains, on August 19, 2014, in Kingman, Arizona. Double tornadoes, lightning storms and rotating supercells – this is what it's like to chase storms for a year. These dramatic images show apocalyptic weather throughout 2014 from a lightning storm to a pair of rainbows. Roger Hill, 57, has been chasing storms in the United States for thirty years and runs a tour operation with his wife Caryn. His favourite photograph of the year was also one of the most difficult to get – as two violent tornadoes tore through Pilger, Nebraska on June 16. The spiraling winds killed a five-year-old girl and injured at least 19 others, and as Roger tried to get the perfect shot debris began to rain down on his car. (Photo by Roger Hill/Barcroft Media)

At this year’s Venice Bienniale in Italy, the Korean pavilion has a curious exhibit called “Commissions for Utopia”. It includes renderings from North Korea’s top architects and artists (all anonymous), many of whom studied at the Paekho Institute of Architecture, North Korea’s state-run architectural college, and none of whom have ever left the country. They were asked to create a vision of North Korea’s future sustainable architecture for its expanding tourism industry. Their final products are a glimpse into what it would be like to envision the future after being entirely cut off from the present for almost 70 years. (Photo by Nick Bonner/Kyle Vanhemert/Venice Architecture Biennale)