Cyclists compete during the UCI BMX World Championships Elite Women's Moto Race on May 29, 2016 in Medellin, Antioquia department, Colombia. (Photo by Raul Arboleda/AFP Photo)

Nepal's Kumari, or living goddess, adjusts her ornament as she watches the Rato Machindranath chariot Festival in Lalitpur, Nepal, Friday, April 24, 2015. Nepal's living goddesses are young pre-pubescent girls considered by devotees to be incarnations of a Hindu goddess. Selected as toddlers, living goddesses usually keep their positions until they reach puberty. (Photo by Niranjan Shrestha/AP Photo)

Teeming with images of spectacular underwater scenes from around the world, Call of the Blue is the culmination of a five-year project by the photographer and ocean conservationist Philip Hamilton. This groundbreaking book includes contributions from acclaimed scientists and ocean “guardians”, who reveal what drove them to answer the call of the blue. (Photo by Philip Hamilton/The Guardian)

A person dressed as “bigfoot” makes their way through the strong wind and snow in the Back Bay neighborhood during a blizzard on January 27, 2015 in Boston, Massachusetts. (Photo by Kayana Szymczak/Getty Images)

A Ukrainian serviceman fires a 2S7 Pion self-propelled gun during military exercises near the village of Divychky in Kiev region, Ukraine, October 21, 2016. (Photo by Valentyn Ogirenko/Reuters)

Muslim children play sack race during Eid-al-Fitr celebration in Taguig city, south of Manila July 18, 2015. (Photo by Romeo Ranoco/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

Yaks head towards the Everest base camp in Solukhumbu District April 28, 2014. (Photo by Navesh Chitrakar/Reuters)