Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

There is something strangely appealing about the set of pictures created by Sandro Giordano in a series “In Extremis (Bodies With No Regret)”. Could it be the absurdity of the situation? Or the fact that our brain tries to make up some bizarre story to justify what is happening in the pictures? Of course it is impossible to explain why a pair of tennis players ended up lying flat on the ground with a pack of bananas hanging on the net, even if we forget about the tennis racket lodged in the neck of one of the players. Nevertheless, it is fun to recreate these scenes in your mind just seconds before the tragedy took place. (Photo by Sandro Giordano)

Latvian cyclists have decided to show the automobilists just how absurd it is to have only a single occupant in a car. The car takes up an enormous amount of space on the road; however, everyone is so used to it that no one ever notices it. It’s not hard to guess the thoughts of automobilists, and how they cursed those cyclists for taking up so much space. However, they have only themselves to blame. If everyone rode only bicycles to work, then there would never be such a thing as a traffic jam, the air in the city would become cleaner, while people would live longer, healthier lives, since cycling is a wonderful way to use the extra fat on your belly as the “fuel” for your bike.

One glance at the 3D models created by Rebeca Puebla is enough to realize that this artist has a soft spot for BDSM. The finely detailed model of a nun with heavily tattooed hands and a ball gag in her mouth or an Asian woman in a latex suit of a horse leave no doubt about it. At first, Rebeca Puebla has started out as a traditional illustrator. However, in later years she became a 3D character artist for films, TV, and video games. Though she has many regular-looking 3D models and illustrations, many of her works are quite controversial featuring 3D models of ladies in latex suits or wearing Nazi uniforms. (Photo by Rebeca Puebla)

In order to get a glimpse into the visual culture of drug trade in New York City, a British photographer Graham MacIndoe collected more than one hundred bags, which were used to sell heroin. These bags feature references to various movies, fast-food restaurants, and luxury brands. This could be a way to mark various purities of heroin, or maybe different drug dealers use different markers to distinguish between each other. We can only wonder where Graham has acquired all these heroin bags. Hopefully, he picked them up after their contents were emptied. (Photo by Graham MacIndoe)

Auditioning performers follow resident choreographer Erik Sorensen, center back, at the Sydney Dance Company in a routine during castings in Moulin Rouge's current show “Féerie”, in Sydney, Australia, Thursday, July 28, 2016. The show's artistic team is in Australia to choose new talent to perform with one of the most famous cabarets that has been illuminating Paris since 1889. (Photo by Rob Griffith/AP Photo)

A girl poses at an entrance of her house next to a bomb dropped by the U.S. Air Force planes during the Vietnam War, in the village of Ban Napia in Xieng Khouang province, Laos September 3, 2016. From 1964 to 1973, U.S. warplanes dropped more than 270 million cluster munitions on Laos, one-third of which did not explode, according to the Lao National Regulatory Authority. (Photo by Jorge Silva/Reuters)

Christopher Wheeldon’s Alice’s Adventures in Wonderland is the biggest production the Australian Ballet has ever undertaken and it’s also one of the most spectacular. Created for the Royal Ballet and designed by Bob Crowley, it involves puppetry, optical illusions, major setpieces and immersive projections, as well as costumes that some dancers have to actually climb into. Here: Ako Kondo as Alice, on stage September 11, 2017 in Melbourne, Australia. (Photo by Jeff Busby/The Guardian)