Miss Lovely Legs competition at the Pick 'n Pay hypermarket in Boksburg, South Africa, 1980. (Photo by David Goldblatt/Museum of Contemporary Art Australia)

Sophia Fernandes, a member of the Kalunga quilombo, the descendants of runaway slaves, dons traditional afro braids, during the culmination of the week-long pilgrimage and celebration for the patron saint “Nossa Senhora da Abadia” or Our Lady of Abadia, in the rural area of Cavalcante in Goias state, Brazil, Saturday, August 13, 2022. Devotees celebrate Our Lady of Abadia at this time of the year with weddings, baptisms and by crowning distinguished community members, as they maintain cultural practices originating from Africa that mix with Catholic traditions. (Photo by Eraldo Peres/AP Photo)

A student from the General Yermolov Cadet School performs with models of swords during celebrations of Maslenitsa, or Pancake Week, a pagan holiday marking the end of winter, in southern city of Stavropol, Russia, March 6, 2019. (Photo by Eduard Korniyenko/Reuters)

Family members mourn the passing of Manuela Chavez, who died from symptoms related to the new coronavirus at the age of 88, as a government team prepares to remove her body from inside her home, in the Shipibo Indigenous community of Pucallpa, in Peru's Ucayali region, Monday, August 31, 2020. While the lucky are cured with ancestral ailments, the less fortunate often die at home. A government team travels from one spartan, thatch-roofed home to the next, removing the dead from their homes where they took their last breaths. (Photo by Rodrigo Abd/AP Photo)

Revellers help a man crowdsurf as they watch The Slaves perform on The Other Stage at the Glastonbury Festival of Music and Performing Arts on Worthy Farm near the village of Pilton in Somerset, South West England, on June 30, 2019. (Photo by Oli Scarff/AFP Photo)

“Locusts & Men”. Oppression, interaction, collaboration. In the life cycle of nature nothing is lost, but the coexistence of different species is sometimes difficult. In Madagascar periodically returns the archaic antagonism between man and the migratory locust, in a circle of life where the two species are looking for space and food for their survival. At the end of the day a man walks home carrying on his shoulders the heavy bag which contains the locusts captured during the day. The insects provide nutritious meals for the man and his family. Photo location: Madagascar, 2013. (Photo and caption by Michele Martinelli/National Geographic Photo Contest)

ATTENTION! All pictures are presented in high resolution. To see Hi-Res images – just TWICE click on any picture. In other words, click small picture – opens the BIG picture. Click BIG picture – opens VERY BIG picture.

“Super Enerji”. Taken on my road trip through Turkey. (Photo and caption by Michelle Brandemuehl/National Geographic Traveler Photo Contest)

ATTENTION! All pictures are presented in high resolution. To see Hi-Res images – just TWICE click on any picture. In other words, click small picture – opens the BIG picture. Click BIG picture – opens VERY BIG picture.

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.