A Nepalese Gurung community woman, wearing traditional attire, prepares to participate in a parade to mark their New Year known as “Tamu Loshar” in Kathmandu, Nepal, Friday, December 30, 2016. The indigenous Gurungs, also known as Tamu, are celebrating the advent of the year of the bird. (Photo by Niranjan Shrestha/AP Photo)

A woman picks marigold flowers used to make garlands and offer prayers, before selling them to the market for the Tihar festival, also called Diwali, in Kathmandu, Nepal on October 17, 2017. (Photo by Navesh Chitrakar/Reuters)

A painting of Chinese President Xi Jinping holding an umbrella is seen on the toilet wall in a guesthouse in Hong Kong December 30, 2014. Set up in a small apartment in the Causeway Bay shopping district, the guesthouse that gives what it calls “Umbrella Revolution Occupation Experience” charges guest HK$100 (US$13) a night to stay in a tent surrounded by pro-democracy banners, a cardboard cutout of President Xi Jinping holding a yellow umbrella, and serve toilet paper printed with the face of embattled leader of Hong Kong chief executive Leung Chun-ying. (Photo by Tyrone Siu/Reuters)

J.S. Burgers Cafe chef Yasuhito Fukui prepares Mr. and Mrs. Burger featuring the U.S. presidential candidates Hillary Clinton and Donald Trump at the hamburger joint in Tokyo, Japan October 7, 2016. (Photo by Megumi Lim/Reuters)

Nightmare: New York”, staged in a Lower East Side building, depicts the ugliest, scariest vision of 1970s- and '80s-era Gotham. Subways are awash in graffiti, creeps and crime. Here: In this October 2, 2014 photo, an actor performs during “Nightmare: New York”, a haunted house attraction in New York. (Photo by Frank Franklin II/AP Photo)

Signage is displayed at the Stuff Magazine September fall fashion issue preview August 14, 2007 in New York City. Ivanka Trump appears on the cover of the issue. (Photo by Peter Kramer/Getty Images)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)