It's that time of year again when dogs with unusually large heads, hairless bodies and other oddities compete to be the World's Ugliest Dog. This year's winner? A 2-year-old mutt named Peanut, whose wild white and brown hair, bulging eyes and protruding teeth belie his sweet, energetic personality. Peanut's owner, Holly Chandler of Greenville, North Carolina, says he was seriously burned as a puppy and she wants to use her pet to raise awareness about animal abuse. She plans to use the $1,500 prize to pay for other animals' veterinary bills. The contest, held at the Sonoma-Marin Fairgrounds in Petaluma, California, is in its 26 year. The dogs are scored by a three-judge panel in several categories, including special or unusual attributes, personality and natural ugliness.

Dan surrounded by seven days of her own rubbish in Pasadena, California. If you've never thought about how much rubbish you throw away an honest photographic series will open your eyes. Men, women, couples and families with young children have been photographed lying on their backs surrounded by a week's worth of their own rubbish – from old cartons of milk, used nappies and even tampons. The startling series “Seven Days of Garbage” by Californian photographer Gregg Segal is an unforgettable reminder of the amount of waste a human collects in just seven days. (Photo by Gregg Segal/Barcroft Media)

An arm holding a giant gun appears to explode through a wall, while elsewhere a man walks a tiger on a leash. These breathtaking pencil drawings are the work of 31-year-old artist Ben Heine, who lives and works in Rochefort, Belgium. The “anamorphic illusions”, part of the artist's “Pencil Vs Camera” series, appear slightly distorted unless viewed from the exact same perspective in which they were created. Photo: Visual artist Ben Heine at work in his studio while he creates one of his “anamorphic illusions” in Rochefort, Belgium. (Photo by Ben Heine/Barcroft Media)

A handout photo made available by the World Press Photo (WPP) organization on 13 February 2017 shows a picture by Rossiya Segodnya photographer Valery Melnikov that won the Long-Term Projects – First Prize award of the 60th annual World Press Photo Contest, it was announced by the WPP Foundation in Amsterdam, The Netherlands on 13 February 2017. Caption: Civilians escape from a fire at a house destroyed by an air attack in the Luhanskaya village. (Photo by Valery Melnikov/EPA/Rossiya Segodnya/World Press Photo)

A 40-foot sculpture of the swimmer Rebecca Adlington was unveiled at the Serpentine in London’s Hyde Park on July 25, 2016 to launch a campaign by Kelloggs to encourage the public to support Team GB at the Rio Olympics. (Photo by David Parry/PA Wire/Barcroft Images)

In this June 29, 2015 photo, forlorn buildings are seen at Hashima Island, commonly known as Gunkanjima, which means “Battleship Island”, off Nagasaki, Nagasaki Prefecture, southern Japan. The island is one of 23 old industrial facilities seeking UNESCO's recognition as world heritage “Sites of Japan's Meiji Industrial Revolution” meant to illustrate Japan's rapid transformation from a feudal farming society into an industrial power at the end of the 19th century. UNESCO's World Heritage Committee is expected to approve the proposal during a meeting being held in Bonn, Germany, through July 9. (Photo by Eugene Hoshiko/AP Photo)

A rat being trained by the Cambodian Mine Action Centre (CMAC) is pictured on an inactive landmine field in Siem Reap province July 9, 2015. Gambian pouched rats were deployed to Cambodia from Tanzania in April by a Belgian non-profit organization, APOPO, to help clear mines. They've been trained since they were 4 weeks old. Cambodia is still littered with landmines after emerging from decades of civil war, including the 1970s Khmer Rough “Killing Fields” genocide, leaving it with one of the world's highest disability rates. APOPO has used the rodents for mine-clearing projects in several countries, including Angola, Mozambique, Thailand, Laos, and Vietnam. (Photo by Samrang Pring/Reuters)

Merit: A Night at Deadvlei. The night before returning to Windhoek, we spent several hours at Deadveli. The moon was bright enough to illuminate the sand dunes in the distance, but the skies were still dark enough to clearly see the milky way and magellanic clouds. Deadveli means “dead marsh. The camelthorn trees are believed to be about 900 years old, but have not decomposed because the environment is so dry. (Photo and caption by Beth McCarley/National Geographic Traveler Photo Contest)