Italian artist Marcello Barenghi draws incredibly realistic everyday objects that appear almost three dimensional with the help of colored pencils and occasional enhancements using markers or watercolor. Each work appears ever so slightly stylized which I think sets these apart from similar hyperrealistic drawings that are meant to ‘trick’ a viewer. If you want to see more, Barenghi runs a YouTube channel where he documents the process of almost every drawing.

These eye-catching photographs capture the special relationship between a group of farmers and elephants – with a gorgeous sunset in the background. Vithun Khamsong, a civil engineer, shot the images earlier this year while visiting Surin, Thailand. (Photo by Vithun Khamsong/Caters News Agency)

Italian artist Marcello Barenghi draws incredibly realistic everyday objects that appear almost three dimensional with the help of colored pencils and occasional enhancements using markers or watercolor. Each work appears ever so slightly stylized which I think sets these apart from similar hyperrealistic drawings that are meant to ‘trick’ a viewer. If you want to see more, Barenghi runs a YouTube channel where he documents the process of almost every drawing.

Crowds look on as Xolo the Giant Dog, one of the giant Royal De Luxe street puppets taking part in Liverpool's World War I centenary commemorations, walks through the streets of Liverpool on July 25, 2014 in Liverpool, England. French street theatre company Royal de Luxe are putting on a show throughout the city as part of Liverpool's World War I centenary commemorations from July 23-27. The giant puppet grandmother has slept in the hall for two days as part of “Memories of August 1914”. As the giants tour the city the Little Girl Giant and her dog Xolo will meet up with the giant Grandmother telling the story of life leading up to World War One. (Photo by Christopher Furlong/Getty Images)

An artist has gone to incredible lengths to paint several iconic album covers on her own face. London-based artist Natalie Sharp wanted to celebrate Record Store Day in a unique way, and asked her Facebook friends for suggestions about which album covers to paint. She was overwhelmed with responses, and as a result painted 40 different album covers on her face, including Nirvana's “Nevermind”, King Crimson's “The Court of the Crimson King”, and “Melt” by Peter Gabriel. Here: King Crimson album. “In fact, I barely used by brushes for King Crimson; I would just keep smudging it with my fingers”. (Photo by Natalie Sharp/Caters News)

The underbelly of fetish parties has been exposed in photographs captured by Belgian photographer MagLau. The photographer dedicated three years to capturing the obsession with leather and chains, visiting fetish parties through Europe and Japan. The photographer told: “I just took pictures, always finding some beauty in the dark side”. He said that most people were happy to be photographed for the project, with the images included in a new book Fetish Ballad. Aiming to capture the candid moments, he said he never judged but instead wanted to simply observe and understand. Here: Picture from Fetish Ballad book. (Photo by MagLau/Laurent Muschel)

Sandrine Kerfante has had a fascination with “doubles” ever since meeting her mother’s twin as a child. In 2012, this lifelong captivation inspired her to create a blog called twin-niwt, which celebrates photographs of doubles in all their forms. “I’m fascinated by the idea of the duo, repetition, symmetry, reflection, mirror games and all the symbolism associated with it”, she says. “I think it’s a topic often present in photography, more or less consciously”. (Photo by Sandrine Kerfante/The Guardian)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)