Rohingya refugees stand outside of their refugee camp on February 11, 2017 in Medan, North Sumatra, Indonesia. Thousands of Rohingya Muslims have been stuck in limbo at Indonesia's refugee camps as the plight of Myanmar's ethnic minority continues. (Photo by Ulet Ifansasti/Getty Images)

Stumpy the mascot dances near “Stumpy” the cherry tree at the tidal basin in Washington, Tuesday, March 19, 2024. The weakened tree is experiencing its last peak bloom before being removed for a renovation project that will rebuild seawalls around Tidal Basin and West Potomac Park. (Photo by Nathan Ellgren/AP Photo)

Revellers enjoy themselves during Hogmanay celebrations in Edinburgh, Scotland on December 31, 2017. (Photo by Russell Cheyne/Reuters)

Visitors wear traditional hanbok dress as they walk on the grounds of the Gyeongbokgung Palace after a snowfall in Seoul on January 17, 2022. (Photo by Anthony Wallace/AFP Photo)

A woman throws fallen leaves and jumps while posing for a photo at the Bauman garden in Moscow, Russia, Tuesday, October 14, 2025. (Photo by Pavel Bednyakov/AP Photo)

France's Romane Miradoli competes during the Women's Downhill event of the FIS Alpine Ski World Championship 2023 in Meribel, French Alps, on February 11, 2023. (Photo by Lionel Bonaventure/AFP Photo)

A shopper gets caught in a heavy downpour of rain on Oxford Street, London on June 27, 2020, as sunshine and showers are forecast for much of England and Wales on Saturday, with temperatures expected to hover around 22°C (71.6F). (Photo by Dominic Lipinski/PA Images via Getty Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)