Everton fan and legendary fashion photographer Matt Lever has captured the dizzying drama behind the scenes at catwalk shows since 1999. Here: Balmain, Spring/Summer 2011. (Photo by Matt Lever)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

With "Art Eggcident," Dutch artist Henk Hofstra demonstrates what it would look like if God threw giant eggs down at us. The eight large, sunny side up eggs measure almost 100 feet wide in diameter. The installation took place in Leeuwarden, a city in the north of the Netherlands.
"I hope it becomes a meeting place with room for art," says Henk. "Art that is different than a framed picture on the wall or a boring bronze sculpture. Art that shows us a different look, surprises us, or makes us angry or happy. Art that allows photographers to grab their cameras and arouses journalists. Art that evokes emotion, or provokes wild laughter."

This thing has 24 cylinders, 1,704 cubic inches, 12 GMC superchargers (blowers), 8 nitrous bottles and it runs! Why build such a beast? “Because I can,” Harrah says. There’s no other reason to take a 24V71 and build an intake manifold that weighs 1,000 pounds and mount eight 6-71 superchargers on top of four others. This is a V24 Detroit Diesel (normally used to power ships) which is two V12 Detroits joined together nose to nose with splined cranks.

Erika Sanada is an artist based in San Francisco, USA. Her concept is “Odd Things”. She want her audience to feel emotions that include excitement, astonishment and impact when they look at her artwork there are two reasons why she create odd, creepy and grotesque things. One is the memory of her childhood and the second is constant anxieties.

Ivar Rodningem is a professional illustrator, whose imaginative mind transports us into a parallel world where trolls roam the lands. These creatures might seem scary at first sight, but in reality they are very docile and friendly, help each other and humans that they happen to meet. One of their characteristic features is of course their large noses and long tails. They are one with the nature, which is why it is almost impossible to see a troll if he doesn’t want to be found. Just like you and I they love having fun, though it is hard thing to do, considering their size.

I was born in Calella (Barcelona) in 1956, and nowadays I live in Vilassar de Mar (Barcelona). Since I was a child I have been fascinated by painting and I think I'm a self-taught painter because, despite I was taught drawing at Primary School, I have acquired my knowledge thanks to my environment. Painting is my own way to express myself. I can shape my inward in the canvas with the essential help of the palette knife and the colours. As a nature’s lover and great observant, my environment has always been my source of inspiration. At present I devote myself exclusively to painting, my true passion, and that is why I feel extremely fortunate.

Artist Victor Nunes combines every-day objects with simple illustrations to turn them into pictures of faces, animals and other playful scenes. His images invite us to look at the world differently and find creative images in our surroundings. Nunes’ art is a great example of pareidolia, which is our propensity to give meaning to random objects (like in this post about seeing faces in random objects). It’s the reason why we associate a smiley face with a human face and why some of Nunes’ pieces of popcorn or bread resemble faces to us.