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Nature on My Doorstep, finalist. I Want That Pomerade Grain by Biagio Alberto Scalia, taken in national park of Circeo, Latina, Italy. (Photo by Biagio Alberto Scalia/REDISCOVER Nature/EEA)

A praying mantis, a huddle of butterflies, Galician horses and an alpine sunset are the winners of this year’s European Environment Agency’s “Rediscover Nature” photo competition. Here: Nature on My Doorstep, finalist. I Want That Pomerade Grain by Biagio Alberto Scalia, taken in national park of Circeo, Latina, Italy. (Photo by Biagio Alberto Scalia/REDISCOVER Nature/EEA)
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20 Nov 2020 00:03:00
“Where the Summer Grass Leads”. (Kindra Nikole)

“Hello! My name is Kindra, and photography, over the last six months has become a happily all-consuming activity for me. Through my photos and creation of them, I escape into another world entirely, and then share that world with others. It brings me unending amounts of joy, and I never plan to stop!”. – Kindra Nikole

Photo: “Where the Summer Grass Leads”. (Photo by Kindra Nikole)
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25 Nov 2012 11:03:00
Zed Nelson by The Family

Zed Nelson has photographed the same family, once a year on the same day, for 20 years. I take hundreds of photo’s of my extended family all year round, some just languish on my computer screen unseen by anyone, some get printed, some framed. What is really interesting about this project is not only the obvious time scale but his “ analytical approach“. The same plain background is used for each session and he chooses only 1 frame to represent that years image. My many photographs are a mishmash of family events, his create a family history unfolding . Perhaps less really is more.
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22 Jun 2015 10:27:00
«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)
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10 Aug 2025 04:03:00
Cassette Tape Art By Benoit Jammes

So I'm a 33 year old graphic designer, and I live in Paris, France
This work on cassette tapes is entirely handmade, with a bit of work but so nostalgia... It so happened that I found a bunch of old cassettes at home; seeing them brought me back, in thought, to an earlier time, the 80s, and to me as a kid. In any case, I could not play them any more so resurrecting them sounded like a good idea...it was sound, it became visual! And I am pretty sure they are more happy now than in a shoebox :-)
I think people from my generation relate to this work because many enjoy the funny side of it, the references. They are happy to see that these old cassette tapes managed to start a new life!

Signed and numbered prints are available for sale.

Benoit Jammes

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11 Apr 2013 11:06:00
Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)
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10 Jun 2016 13:30:00
“The Hero”. (Christophe Kiciak)

“I started photography in June 2009. At the time, I was searching for a way to express both the rigorous scientist and the creative artist in me. There are few hobbies that let these two approaches work together, so I really was enthusiastic about it: I am now spending all my free time studying various techniques, contemplating others' fantastic work, and of course, making pictures”. – Christophe Kiciak. Photo: “The Hero”. (Photo by Christophe Kiciak)
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11 Jan 2013 15:40:00
Winner of the NSW (New South Wales) prize: Peter Solness said: “I wanted to re-imagine the lost waterways, so I got my light-painting tools to work. In this image, water is being released from the top of the historic Centennial Park No. 2 Reservoir, which was built in 1925 and holds 90 megalitres of water. After 89 years of incarceration these waters now run free!”. (Photo by Peter Solness/Head On)

Touching and dramatic portraits and landscape shots have won prizes at Australia's prestigious photography prize. Photo: Winner of the NSW (New South Wales) prize: Peter Solness said: “I wanted to re-imagine the lost waterways, so I got my light-painting tools to work. In this image, water is being released from the top of the historic Centennial Park No. 2 Reservoir, which was built in 1925 and holds 90 megalitres of water. After 89 years of incarceration these waters now run free!”. (Photo by Peter Solness/Head On)
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21 May 2014 11:11:00