In this Saturday, February 18, 2017 photo, revelers take part in the “Guanabara Pearl” carnival street party on Paqueta Island in Rio de Janeiro, Brazil. Merry makers ferried across Guanabara Bay to Paqueta Island for the parade. (Photo by Mauro Pimentel/AP Photo)

A member of a Chinese opera troupe applies make-up before performing at a shrine during the annual vegetarian festival in Bangkok, Thailand, on October 4, 2016. (Photo by Athit Perawongmetha/Reuters)

The aurora borealis, also known as the northern lights, visible above Old Gardur Lighthouse on the northern point of the Reykjanes peninsula in Iceland on Sunday, November 24, 2024. The lighthouse dates to 1897, and was one of the first built in Iceland. (Photo by Owen Humphreys/PA Images via Getty Images)

Lioness and hyena posture to one another, in Masai Mara, Kenya, August 2015. A photographer captured one of the oldest rivalries in the animal kingdom as a pair of lions went head to head with a pack of hungry hyenas. (Photo by Ingo Gerlach/Barcroft Images)

Alligator trapper Mark Whitmire prepares an alligator he caught in a lagoon on a golf course to relocate it to a more natural environment in Orlando, Florida, U.S., June 19, 2016. (Photo by Carlo Allegri/Reuters)

A view of northern lights over the skies of Sodankyla, Lapland, Finland, on October 7, 2024. (Photo by Alexander Kuznetsov/All About Lapland/Handout via Reuters)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)