A dead wild boar is seen during a hunt in Castell'Azzara, Tuscany, central Italy, October 23, 2015. Extinct across much of the country by the end of the 1800s, the number of wild boar in Italy has almost doubled over the past decade and there are now about a million roaming the country, environmental and agricultural associations say. (Photo by Max Rossi/Reuters)

Far from the fancy throngs who gather at the Pebble Beach Concours d'Elegance every year, another collection of car enthusiasts strive to cough up the worst cars imaginable. The Concours d'Lemons gathers the Edsels, Yugos and Azteks of yesteryear to give the freaky and foul their day in the sun. Photo: The 1973 Electra-King three-wheeler, the dead evolutionary branch of today's electric cars. (Photo by Robert Kerian/Yahoo Autos)

Women in yukatas, or casual summer kimonos, take their selfie in front of paper lanterns during the annual Mitama Festival at the Yasukuni Shrine, where more than 2.4 million war dead are enshrined, in Tokyo, Japan July 13, 2017. (Photo by Kim Kyung-Hoon/Reuters)

Members of pop Idol SHINee and Super Junior carry the coffin containing the body of Jonghyun of SHINee during the funeral at the hospital on December 21, 2017 in Seoul, South Korea. The lead vocalist of the K-pop group was found dead, in what is believed to have been a suicide at his apartment on December 18. (Photo by Chung Sung-Jun/Getty Images)

A family member of the Toraja ethnic group prepares the bodies of exhumed relatives from a community burial site to be cleaned and dressed in a series of traditional ceremonies honouring the dead known as Manene at Torea village, in North Toraja, Indonesia's South Sulawesi on August 17, 2022. (Photo by Andri Saputra/AFP Photo)

A participant with a face painted as popular Mexican figure “Catrina” attends the Day of the Dead event at a National house for Mexican fans in central Moscow, a host city for the 2018 FIFA World Cup, Russia June 29, 2018. (Photo by Sergei Karpukhin/Reuters)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)

Alessandra Ambrosio arrives for the screening of “The Dead Don't Die” and the Opening Ceremony of the 72nd annual Cannes Film Festival in Cannes, France, 14 May 2019. Presented in competition, the movie opens the festival which runs from 14 to 25 May. (Photo by Ian Langsdon/EPA/EFE)