An ice hockey-themed crew in the 2018 Zaplyv festival of handmade inflatables in 300 Years of St Petersburg Park in St Petersburg, Russia on August 5, 2018. (Photo by Peter Kovalev/TASS)
Soo Joo Park poses during a photocall before the Chanel Spring/Summer 2019 women's ready-to-wear collection show during Paris Fashion Week in Paris, France, October 2, 2018. (Photo by Gonzalo Fuentes/Reuters)
Winner. “I took this vertical image in the Quarry Bay district of Hong Kong during the dusk ‘blue hour’, when there was a perfect balance between the ambient light in the sky and the artificial lights of the high-rise residential buildings”. (Photo by Jatinder Heer/The Guardian)
Runner-up. “The City of London, looking towards the Royal Exchange and the Bank of England. The ever-changing London skyline provides many excellent opportunities for cityscape photography, none more exciting than the ebb and flow of traffic at night”. (Photo by Mark Caldon/The Guardian)
In this photo taken on Saturday, April 22, 2017, a drawing “King for a day” is made on the back of a muddy truck by artist Nikita Golubev in Moscow, Russia. The grimy trucks traversing the polluted and dusty streets of Moscow have inspired Golubev to use white vans and trucks as his canvas to create this ephemeral street art and signs his drawings Pro Boy Nick. (Photo by Pavel Golovkin/AP Photo)
Nermin Halilagic, 38, poses with kitchen utensils in Bihac, Bosnia and Herzegovina, January 23, 2017. Halilagic discovered earlier this year that he had the unusual ability to attach items to his body using what he says is a special energy radiated from his body. (Photo by Dado Ruvic/Reuters)
Baka pygmies in their forest home preparing food in, Sangha Forest, Central African Republic, February 2016. Here, in their forest home, traditional life continues in the face of multiplying challenges ranging from poachers, to ill health. Deep in the rainforests of central Africa lives one of the world’s most mysterious tribes. (Photo by Susan Schulman/Barcroft Images)
Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)