People dancing to buskers performances in Sai Yeung Choi Street South in Mongkok district, Hong Kong, China, 28 July 2018. After 18 years of unregulated street performances, the street performers were forced to give up the space to vehicular traffic again. (Photo by Jerome Favre/EPA/EFE)

A competitor makes their way through fire as they take part in the Tough Guy endurance event near Wolverhampton, central England, on January 27, 2019. The Tough Guy event challenges hundreds of competitors to run a gruelling course whilst negotiating up to 300 obstacles including water, fire, and tunnels. (Photo by Oli Scarff/AFP Photo)

Rescued Dutch hikers exit a search and rescue snowcat after they were brought safely to Grotli, Norway, February 26, 2016. Thirteen Dutchmen who were stranded while hiking in central Norway's mountains were found after snowmobile patrols by the Red Cross. Snowcats from the Red Cross are now moving ahead to pick the hikers up. (Photo by Torstein Boe/Reuters/NTB Scanpix)

Iraqi soldiers work at a radio station at Makhmour base, Iraq April 17, 2016. The Iraqi army has set up a radio station at its base in Makhmour broadcasting into areas south of Mosul controlled by Islamic State militants. The radio, which reaches villages halfway to the northern city, broadcasts military anthems and messages to the more than one million civilians living there. Radio operators said their aim was to weaken the militants’ morale and reassure civilians that the military has not forgotten them after nearly two years under Islamic State control. (Photo by Ahmed Jadallah/Reuters)

Fifty years ago, as France exploded in mass protests, words scrawled on the walls of the Sorbonne summed up the revolutionary zeal of the time: “Run free, comrade, we’ve left the old world behind!”. Sexual liberation, artistic creativity and anti-capitalism were the order of the day. For those who were there, it was an unforgettable time. Here: A wounded student is transported by first-aid workers during riots on the Boulevard Saint-Michel, Paris, France on May 6, 1968. (Photo by Gökşin Sipahioğlu/SIPA Press)

The works of Hu Shaoming immediately catch the eye of the onlookers with their level on intricacy and uniqueness. To provide a glimpse into the intricate workings of vintage cameras he uses a very unique method. He made it seem as if the fine leather covering of the camera was opened by zipper, showing its innards. A similar technique was used on an ancient telephone, though there it looks more like an embellishment. The idea was so marvelously put into life that it seems as if those items can actually be zipped up, though of course that is not possible.

Dutch artist Suzan Drummen‘s large-scale floor installations are mesmerizing and complex circular patterns made out of mirrors and brightly colored glass. The fractal-like arrangements feature ornate and elaborate circles growing exponentially out of each other and vibrant rings of spiraling colors winding into the surface of the floor. They are composed of crystals, chromed metal, precious stones, mirrors and optical glass. A sensory experience, and visually stimulating, the glittering installations play with the architecture of the space — climbing up walls and sweeping across the surfaces — examining the idea of illusion and optical effects.

Vardzia is a cave monastery site in southern Georgia, excavated from the slopes of the Erusheti Mountain on the left bank of the Mtkvari River, thirty kilometres from Aspindza. The main period of construction was the second half of the twelfth century. The caves stretch along the cliff for some five hundred metres and in up to nineteen tiers. The Church of the Dormition, dating to the 1180s during the golden age of Tamar and Rustaveli, has an important series of wall paintings. The site was largely abandoned after the Ottoman takeover in the sixteenth century. Now part of a state heritage reserve, the extended area of Vardzia-Khertvisi has been submitted for future inscription on the UNESCO World Heritage List