A Palestinian man sells corn at Gaza Beach during sunset on August 8, 2021. (Photo by Sameh Rahmi/NurPhoto/Rex Features/Shutterstock)

An injured Iraqi Emergency Response Division (ERD) soldier hit by a mortar is held by another officer as they wait for medics to arrive at the Islamic State occupied Mosul Airport in west Mosul, part of the offensive to retake the city some two years after it fell to the hardline jihadist group, February 23, 2017. Iraqi forces encountered stiff resistance with improvised explosives, heavy mortar fire and snipers hampering their advance before they successfully took the airport. (Photo by Martyn Aim/Getty Images)

Passengers wears a face mask while riding on a bus after new cases of COVID-19 were reported in Peshawar, Pakistan, 18 November 2020. Countries around the world are taking increased measures to stem the widespread of the Covid-19 disease. (Photo by Arshad Arbab/EPA/EFE/Rex Features/Shutterstock)

The Invasion. A quiet street in Macau. Modernization around is quickly changing the city, as documented by Paul Tsui. (Photo by Paul Tsui/National Geographic Travel Photographer of the Year Contest)

A competitor in the carting category of the Henrik Sečnik dog mushing race in Hraše, Slovenia on April 8, 2024. Over 100 dogs and their owners from Slovenia and abroad competed in the 10th edition of this international race. (Photo by Luka Dakskobler/SOPA Images/Rex Features/Shutterstock)

A water buffalo is pictured across from the Nahr Bin Omar oilfield in Iraq's southern province of Basra on July 18, 2022. (Photo by Hussein Faleh/AFP Photo)

Relatives of Palestinians from Abu Taima family, who were killed in an Israeli strike, grieve during their funeral, amid the ongoing Israel-Hamas conflict, at Nasser hospital in Khan Younis, in the southern Gaza Strip on October 15, 2024. (Photo by Hatem Khaled/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)