A child dressed as a New York Fire Department member watches the Veterans Day parade behind a New York Police Department officer on Fifth Avenue in Manhattan, New York City on November 11, 2025. (Photo by Kylie Cooper/Reuters)

English actress Lily James treats herself to a bougie beverage while getting ready for the London premiere of her new film “What's Love Got to Do With It?” in the second decade of February 2023. (Photo by Instagram)

Divers perform during a Christmas-themed underwater show at the Aqua Planet 63 aquarium in Seoul on December 8, 2022. (Photo by Anthony Wallace/AFP Photo)

Lourdes Maria Ciccone Leon walks the runway for Gypsy Sport show during New York Fashion Week on September 12, 2018 in New York City. (Photo by Splash News and Pictures)

Kim, Khloe and Kourtney Kardashian celebrate Khloe’s birthday with Care Bears on July 20, 2025. (Photo by khloekardashian/Instagram)

Photographer and former dancer Jesús Chapa-Malacara, head of art production company fotosjcm, announces the launch of Esprit de Corps, an innovative book of ballet photography unlike any seen before. The high-end art book, currently being independently financed and offered exclusively through a Kickstarter campaign, will feature world-class dancers from top ballet companies, including Michaela DePrince of Dutch National Ballet, Jared Matthews and Yuriko Kajiya of American Ballet Theatre, among others.

Thomas Barbèy grew up in Geneva, Switzerland, across the street from the “Caran D'ache” factory, the largest manufacturer of art supplies. He started drawing seriously at the age of 13, using black “encre de Chine” and gouaches for color. His influences were Philippe Druillet, Roger Dean and H.R. Giger. After living in Geneva for 17 years and designing posters for musical bands, he decided to move to Italy, where he lived in Milan for 15 years making a living as a successful recording artist, lyricist and fashion photographer.

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.