A burning tank is in Daraa, on March 9, 2013. (Photo by Ali Abu-Salah/Reuters/Shaam News Network via The Atlantic)

Internally displaced Syrians who fled Raqqa tie ropes for their tents in a camp in Manbij, Syria on April 6, 2017. (Photo by Rodi Said/Reuters)

Syrian government troops patrol the newly captured al- Sakhour neighbourhood in the eastern part of the northern city of Aleppo on December 7, 2016 Rebels in Aleppo called for a five- day truce and the evacuation of civilians Wednesday after losing more than three quarters of their territory including the Old City to a Syrian army offensive. (Photo by George Ourfalian/AFP Photo)

Fighters of the Free Syrian Army fire an anti-aircraft weapon in the rebel-held Mashhad area in southeastern Aleppo, on December 12, 2016, as they battle Syrian government forces during an operation to retake the embattled city. The crucial battle for Aleppo entered its “final phase” after Syrian rebels retreated into a small pocket of their former bastion in the face of new army advances. The retreat leaves opposition fighters confined to just a handful of neighbourhoods in southeast Aleppo, the largest of them Sukkari and Mashhad. (Photo by AFP Photo/Stringer)

Women pose for a picture at the entrance of the Carlton Hotel, in the government controlled area of Aleppo, Syria December 17, 2016. (Photo by Omar Sanadiki/Reuters)

Boys walk near a damaged building in the rebel held besieged city of Douma, in the eastern Damascus suburb of Ghouta, Syria December 30, 2016. (Photo by Bassam Khabieh/Reuters)

David Rawcliffe, house and monument steward at the National Trust's Chedworth Roman Villa cleans a Roman mosiac in the new environmentally-controlled conservation shelter on March 19, 2012 near Cirencester, England. Opened this month, the multi-million pound building allows visitors to walk on suspended walkways just above the 1600-year-old Roman floors and to see recently excavated mosaics not seen for 150 years, with more to be uncovered over the coming year. (Photo by Matt Cardy/Getty Images)

At first glance, Korean artist Kyu-Hak Lee's mixed media mosaics come off as fairly straightforward recreations of iconic works of art. But upon closer inspection, there's more depth to Lee's works than expected. Using a specific technique – rolling strips of magazine and newspaper pages around small bits of wood – Lee replicates brushstrokes, patterns, and colors to create a commentary on consumerism and worth.