I had to stay late at work, Chubut, Argentina. “South sea elephant in Patagonia (Isla Escondida) They adopt very curious gestures!”. (Photo by Luis Burgue/Comedy Wildlife Photography Awards 2020)

An alarmed squirrel. (Photo by Mary McGowan/Barcroft Images/Comedy Wildlife Photography Awards)

Terashima Takeshi and Akaishi Kazuya of Japan block a shot from Indonesia during day one of the ISTAF Super Series at Palembang Sport Convention Center on February 23, 2012 in Palembang, Sumatra, Indonesia. (Photo by Nicky Loh/Getty Images for UFA Sports)

A frog appears to have a big smile for the camera, Russia. Things are heating up at the Comedy Wildlife Photography Awards as the shortlisted final 40 entries are revealed. This year's competition has featured over 2200 hilarious entries from around the world with photos including a fox face planting in the snow, a dancing brown bear and a pair of seemingly headless penguins – all beautifully photographed with perfect comedy timing and a strong conservation message. (Photo by Artyom Krivosheev/Barcroft Images/Comedy Wildlife Photography Awards 2016)

Prepare yourself for some rib-tickling laughter because the Comedy Wildlife Awards has announced its finalists. Founded by Tanzania-based photographers Paul Joynson-Hicks MBE and Tom Sullam, the aim of the awards is to put a spotlight on wildlife conservation efforts while simultaneously injecting some humour into the world of wildlife photography. Here: Mountains Gorilla is making grimaces, as he came out of the bush after the rain, in Virunga National Park, Rwanda. (Photo by Josef Friedhuber/Comedy Wildlife Photography Awards/Barcroft Media)

Chase Elliott (9) makes a pit stop during the NASCAR Xfinity series auto race at Chicagoland Speedway, Sunday, June 21, 2015, in Joliet, Ill. (AP Photo/Nam Y. Huh)

“Romantic”. A brown bear in Martinselkonen, Finland. (Photo by Valtteri Mulkahainen/Comedy Wildlife Photography Awards)

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)