Japan's delegation gather to sign the formal surrender document on the U.S. Navy battleship USS Missouri in Tokyo Bay in a September 2, 1945 file photo. (Photo by Reuters/US Navy)

Jimmy Bryan of Phoenix, Ariz., gets the checkered victory flag at the Indiana State Fairgrounds September 17, 1955 as he wins the “Hoosier Hundred” for the second consecutive year. Bryan averaged 83.98 miles an hour for the 100-lap, 100-mile AAA big car race. (Photo by AP Photo)

Two female holidaymakers relax on an unidentified beach of England, September 21, 1940, as a soldier, eyes straight ahead, stands guard at a barrier built as a defense against possible invasion by Germany. (Photo by AP Photo)

A fellow officer comes to the aid of injured patrolman C.V. Satt, who was pelted with rocks and beer bottles during a clash between police and relief demonstrators in Denver September 23, 1935. (Photo by Henry G. Eisenhand/AP Photo)

Construction workers take a lunch break on a steel beam atop the RCA Building at Rockefeller Center, New York, September 29, 1932. In the background is the Chrysler Building. (Photo by AP Photo)

While the lido was described as bringing “modernism to the masses” on the British coast it was just the latest example of a trend that had been developing since Victorian times – transforming seaside towns into resorts for leisure and entertainment. In the latter half of the nineteenth century, the fashion was for local authorities to build great piers stretching from the promenade out into the sea. The Eastbourne Pier, pictured here in May 1931, was erected between 1866 and 1870 to an ingenious design by Eugenius Birch, which saw the structure sitting on special cups allowing the supporting struts to “move” in bad weather. Arranged on the pier's 1,000-foot length were kiosks, a theatre, a ballroom and a camera obscura. 1931. (Photo by Aerofilms Collection via “A History of Britain From Above”)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)

U.S. Corporal Stanley Suski, left, and Miss Tamako, a Geisha girl, whirl a bit of Jitterbug, in a bar, in Tokyo, Japan, on October 1, 1945. (Photo by AP Photo)