Rene Penia drives his VW Beetle 1995, locally called “Vocho”, through the streets of Monterrey April 22, 2015. The car was painted by a local artist to be part of an exhibition on the 1960s at the National History Museum in Monterrey where it was on display for five years. Pena bought the car for 25.000 Mexican Pesos (some USD 2,000 at that time) in 2013 during an auction and he then converted the car into an electrical vehicle. (Photo by Daniel Becerril/Reuters)

Revelers celebrate the Indian festival of Holi on the deck of the ship Peking at South Street Seaport in Manhattan March 19, 2011 in New York City. The Hindu festival of Holi , also known as the Festival of Colors, marks the arrival of spring where participants throw colored powder and water on one another. Many of the New York participants are Indian-American.

Women dance in costume during the West Indian Day Parade in Brooklyn, New York September 7, 2015. The parade, which takes place annually, celebrates Caribbean culture and history. (Photo by Andrew Kelly/Reuters)

Boys ride a motorbike on their way back home after taking a bath in a canal at Chachura village, in Uttar Pradesh April 4, 2012. (Photo by Parivartan Sharma/Reuters)

Mamoni Mandal, member of the Rapid Action Force (RAF), attends a training session at a police training school in Kolkata April 15, 2007. (Photo by Parth Sanyal/Reuters)

A man flies a kite made of 110 Tukkal or paper lanterns for the Hindu festival of “Makar Sankranti”, which marks the start of spring, in Ahmedabad January 13, 2011. (Photo by Amit Dave/Reuters)

Prayer flags fly at Namgyal Tsemo Monastery above the town of Leh in Ladakh, India September 24, 2016. High in the Indian Himalayas, young novice monks in maroon robes take their lessons inside the 15th-century Thiksey monastery. (Photo by Cathal McNaughton/Reuters)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)