Kaw-Claa, a Tlingit native woman in full potlatch dancing costume, 1906. (Photo by Case & Draper/Buyenlarge/Getty Images)

The National Geographic Photo Ark is a travelling exhibition of photographer Joel Sartore’s quest to create a photo archive of biodiversity around the world. So far, Sartore has captured studio portraits of more than 6,000 species – a number that he hopes to double. On 1 July, the ark will open at Melbourne zoo – the first time it has been exhibited in the southern hemisphere. More than 50 portraits will be on display, including many of Australian endangered animals being protected by programs at the zoo itself. These captions have been edited from text supplied by Melbourne zoo. Here: Barking owl. (Photo by Joel Sartore/National Geographic Photo Ark/The Guardian)

In this photograph taken on December 8, 2017, Indian child Samarth Bangari, 2, plays with langur monkeys at his home in Allapur in India' s southwest Karnataka state, 250 miles from Bangalore. He is still too young to talk, but a 2- year- old Indian boy has become a subject of local intrigue after befriending a gang of langur monkeys. (Photo by Manjunath Kiran/AFP Photo)

The work of Kirby Sattler is fueled by an inherent interest in the Indigenous Peoples of the Earth. His current images evolve from the history, ceremony, mythology, and spirituality of the Native American

“Mehndi or menhdi is the application of henna as a temporary form of skin decoration in India, as well as by expatriate communities from the country. The word mehndi is derived from the Sanskrit word mendhikā. The use of mehndi and turmeric is described in the earliest Vedic ritual books. Haldi (Staining oneself with turmeric paste) as well as mehndi are important Vedic customs as a symbolic representation of the Outer and the Inner Sun. Vedic customs are meant to awaken the “inner light” and so the gold of the inner Sun has an important symbolic function”. – Wikipedia

Photo: Application of henna or “Mehndi” to a girls hand in a market on October 18, 2010 in Jaipur, India. (Photo by Simon de Trey-White/Getty Images)

An Indian woman wrapped in a shawl travels with others on a bullock cart on a cold day at Jhansi district, in Bundelkhand, India, Monday, December 29, 2014. Most parts of north India Monday continued to shiver under biting cold with the mercury dipping several notches. (Photo by Rajesh Kumar Singh/AP Photo)

A Muslim bride waits for the start of a mass marriage ceremony in Mumbai, India, January 27, 2016. A total of 12 Muslim couples took their wedding vows during the mass marriage ceremony organised by a Muslim voluntary organisation, organisers said. (Photo by Danish Siddiqui/Reuters)

At the beginning of the 20th century, Edward S. Curtis set out to document what he saw as a disappearing race: the Native American. From 1907 to 1930, Curtis took more than 2,000 photos of 80 tribes stretching from the Great Plains to the Pacific Northwest and Alaska. He then published and sold these photos, along with narrative text, in 20 volumes of work known as “The North American Indian”. It is one of the most significant collections of its kind, “probably the most important photographic document of its age and its topic,” said Jeffrey Garrett, associate university librarian for Special Libraries at Northwestern University. (Photo by Edward S. Curtis)