Architects Christophe Berdaguer and Marie Péjus get scary with this sculptural,bogey-inspired arts center in France. Situated behind the severe Synagogue de Delme, the center's design transforms an old house, which previously served as a prison, a school, and most recently a funeral home. The new intervention draws inspiration from the latter, cloaking the structure in a white veil of molded concrete that creates a "living body" which expands into the surrounding areas of the house.

Three Japanese tourists had to abandon plans to drive to Stradbroke Island off the Queensland coast when their hire car became bogged in mangrove mud, on March 15, 2012 near Stradbroke Island, Australia. (Photo by Chris McCormack/Fairfax Media).

People stand with sheep for sacrifice outside a church during St. George's Day celebration in the village of Ikalto, Georgia, November 23, 2015. Georgia marks on Monday one of its most popular religious and public holidays. (Photo by David Mdzinarishvili/Reuters)

Tourists walk behind a faded sign warning of tsunami hazard in Khao Lak, Phang Nga province December 15, 2014. Ahead of the anniversary of the 2004 tsunami, experts and officials say key weaknesses remain across the region in the system designed to warn people of the next disaster, and get them to safety. Thailand prepares to mark the tenth anniversary of the 2004 tsunami, the deadliest on the record, that killed at least 226,000 people in 13 Asian and African countries. (Photo by Damir Sagolj/Reuters)

A dog waits to be blessed by a priest outside San Anton Church in Mijas, near Malaga, Spain, January 17, 2017. Hundreds of pet owners bring their animals to be blessed every year on the day of Saint Anthony, Spain's patron saint of animals. (Photo by Jon Nazca/Reuters)

A woman watches the St. Patrick's day parade in Dublin, Ireland on March 17, 2017. St. Patrick's Day is marked annually on 17 March to commemorate Saint Patrick, a patron saint of Ireland. (Photo by Clodagh Kilcoyne/Reuters)

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.