The Tree Projects team spent 67 days documenting one eucalyptus regnans in the Styx valley of Tasmania. Using a combination of tree-climbing and elaborate arboreal rigging techniques, they produced an intimate portrait from an impossible perspective of one of the world’s largest individual flowering trees, which goes by several common names. These photos document the process that resulted in an extraordinary ultra high-definition photograph. Here: Haley nears the top of the tree. (Photo by Steven Pearce/The Tree Projects/The Guardian)

Talk about being in the eye of the storm! These stunning snaps show breath-taking storms from an extraordinary up-close perspective. Taken by daredevil storm chaser Dennis Oswald, from Neuss, Germany, the amazing pictures capture spectacular storms from around the globe. Having chased storms for nearly 15 years, experienced Dennis gets right in the action to get these incredible shots. Here: scenic mothership supercell just north of Howard, Kansas. (Photo by Dennis Oswald/Caters News)

Fraser Davidson gobbles a plane at The Hangar at Manchester Airport on June 26, 2024. An airport pub serves drinks just 15 metres from the runway–- and drinkers can watch planes coming into land over a pint. The Hangar, Manchester, is 50 feet away from the airport, and people don't need to be checked in to drink there. It boasts a “unique perspective” for customers, who can enjoy a pint right next to planes taking off and landing. (Photo by South West News Service)

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

Felice Varini is a Swiss artist who was nominated for the 2000/2001 Marcel Duchamp Prize, known for his geometric perspective-localized paintings in rooms and other spaces, using projector-stencil techniques. According to mathematics professor and art critic Joël Koskas, “A work of Varini is an anti-Mona Lisa”.

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Winner. “I took this vertical image in the Quarry Bay district of Hong Kong during the dusk ‘blue hour’, when there was a perfect balance between the ambient light in the sky and the artificial lights of the high-rise residential buildings”. (Photo by Jatinder Heer/The Guardian)