People appear dangling as a large-scale installation art piece by Leandro Erlich, named “Dalston House”, in London, England. Part of the “Beyond Barbican” summer series of events, the interactive installation is a full facade of a late nineteenth-century Victorian terraced house built on the ground with a large mirror above it to reflect people as to appear dangling from the structure. (Photo by Dan Dennison)

People view Singpoli Group's inaugural Rose Parade float as it undergoes its finishing touches in Pasadena, California December 30, 2014. The 126th Rose Parade will take place on New Years Day in Pasadena. (Photo by Jonathan Alcorn/Reuters)

Los Angeles based MizEnScen is obsessed with doing this. This very cryptic artist is a digital collage/illustration artist who cuts and pastes what looks like imagery from old, forgotten academic texts. She takes them and layers them atop of each other to make sometimes silly portraits to beautifully textured florals growing out of bones.

Rose oil production in Bulgaria's famous Rose Valley is set to increase by 25 percent according to a mid-season estimate by experts in spite of the climate changes and economy crisis. Bulgaria is traditionally one of the biggest world exporters of high-grade rose oil along with Morocco and neighboring Turkey, with clients mostly from the United States, France, Germany, United Kingdom and Japan. Rose oil is the most commonly used essential oil in the perfume industry.

In the desert near Joshua Tree, California, there stands a 70-year-old homestead cabin that isn’t all there. The ethereal cabin is part of an outdoor art installation by artist Phillip K. Smith III called Lucid Homestead. To give the cabin its striking appearance, the artist replaced strips of the wall with mirrors and the windows with mirrored panels that light up at night. The building reflects the desert sun and environment around it, making it seem like an airy and transparent space

#Petheadz – is an Instagram series by Zach Rose, a 23 year old photographer/filmmaker from Toronto. (Photo by Zach Rose)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.