Sandrine Kerfante has had a fascination with “doubles” ever since meeting her mother’s twin as a child. In 2012, this lifelong captivation inspired her to create a blog called twin-niwt, which celebrates photographs of doubles in all their forms. “I’m fascinated by the idea of the duo, repetition, symmetry, reflection, mirror games and all the symbolism associated with it”, she says. “I think it’s a topic often present in photography, more or less consciously”. (Photo by Sandrine Kerfante/The Guardian)

Runner-up. “The heavens opened and the streets around Shibuya, Tokyo, were suddenly drenched in even more colour and movement. I was taking photos (my friend was holding the umbrella) when I noticed this woman at the crossing. I’m pleased with the futuristic feel of the image”. (Photo by Katherine Bridgestock/The Guardian)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

A Palestinian clown on stilts walks on a street amid the outbreak of the coronavirus disease (COVID-19), in Gaza City on November 20, 2020. (Photo by Suhaib Salem/Reuters)

A racehorse is hoisted up before its operation at Veliefendi equine hospital in Istanbul March 3, 2015. A state-of-the-art hospital for hundreds of horses run by the Jockey Club of Turkey at Istanbul's Veliefendi racecourse is the country's oldest and biggest. Grooms and trainers at the equine clinic work with vets and nurses while owners hope their prize runners, often worth hundreds of thousands of dollars, will recover quickly and then run faster still. (Photo by Murad Sezer/Reuters)

French photographer Bettina Rheims poses next to her work, two days before the opening of her exhibition “Pourquoi m'as-tu abandonnée ?” (Why did you abandon me?) at the Museum of Photography Charles Negre, in Nice on June 13, 2024. (Photo by Valery Hache/AFP Photo)

Georgia Baker, 12, enjoys the bright yellow Sunflower field on a farm near Christchurch in Dorset on August 7, 2022. (Photo by Rachel Baker/Bournemouth News)