“Getting to see girls’ bedrooms must have been a teenage obsession for the members of the all-male photographic collective Riverboom. Now that they have more or less grown up, they have decided to transform that dream into a reality. Riverboom’s Gabriele Galimberti and Edoardo Delille are traveling the five continents to see where girls, between the ages of 18 and 30, sleep. They have discovered that girls’ bedrooms are much more then just places where they lay down their heads – they are the places where girls read, love, dream, work and play”. – Gabriele Galimberti. Photo: Katerinai, 27 – Athens, Greece. (Photo by Gabriele Galimberti/Riverboom Ltd)

Workers lay railway track in a tunnel of the Crossrail project in Stepney, east London, Britain, November 16, 2016. Crossrail, which is Europe's largest construction project, is a railway link which will connect outlying areas to the east and west of London with tunnels under the centre of the capital. (Photo by Stefan Wermuth/Reuters)

The Tree Projects team spent 67 days documenting one eucalyptus regnans in the Styx valley of Tasmania. Using a combination of tree-climbing and elaborate arboreal rigging techniques, they produced an intimate portrait from an impossible perspective of one of the world’s largest individual flowering trees, which goes by several common names. These photos document the process that resulted in an extraordinary ultra high-definition photograph. Here: Haley nears the top of the tree. (Photo by Steven Pearce/The Tree Projects/The Guardian)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

Visitors observe the sculpture “That Girl” by U.S. artist Paul McCarthy, at the Hyperrealist Sculpture 1973-2016 exhibition in the Museum of Bellas Artes in Bilbao, northern Spain, July 27, 2016. (Photo by Vincent West/Reuters)

Globe-trotting photographer couple Peter Sedlacik and Zuzu Galova have found a fun way to document their travels around the world. Wherever they are, they face each other, frame up a great composition, and take a picture of each other… taking a picture of each other. Thus was born the photo series/project “Lens Between Us”, which is quickly scooping up followers on Tumblr, Facebook and Instagram alike. The resulting diptychs are creative, well-composed, and whimsical in the best way. A tribute to how their focus is always on each other, the images are part travel photography, part portraiture, and challenging to boot since each shot requires that they figure out not one, but two compositions. (Photo by Peter Sedlacik/Zuzu Galova)

A participant takes part in the Bristol Park and Slide project, an interactive temporary installation by artist Luke Jerram set up in Park Street in the centre of Bristol, southwest England on May 4, 2014. Over 95,000 people applied for just 360 tickets to slide on inflatable lilos down a lubricated water slide in a town centre street. (Photo by Leon Neal/AFP Photo)