A general view of Tokyo Tower and the surrounding area in high resolution (~5600x3500 px) on February 10, 2012 in Tokyo, Japan. (Photo by Adam Pretty/Getty Images)
Felix Guirola, 52, rides a homemade bike with an advertising banner in Havana, Cuba, July 20, 2016. The handyman, who loves heights, provides advertising space for companies on homemade bikes that tower up to 7.5 meters (24.61 ft). He rides them around Havana in an ingenious way of getting around strict marketing regulations in the Communist-ruled island. (Photo by Alexandre Meneghini/Reuters)
A view of the Hazelwood Power Station across the cooling pondage at sunrise on March 21, 2012 in Melbourne, Australia. The brown coal fueled power station, located in Latrobe Valley is the oldest in Victoria and provides the state nearly 25% of its energy. In 2005 Hazelwood was labeled Australia's least carbon efficient power station by WWF Australia and continues to be a target of issue of environmentalist groups. (Photo by Hamish Blair/Getty Images)
H. Leung has been acclaimed since 1952 for his brilliant artistic style. A master of oil on canvas, he achieves a haunting quality in his works that absorbs the viewer’s emotions like an irresistible melody. His brush, like a wand, seems to weave a sense of enchantment. In his landscapes and waterside villages, visions of Shangri-La come to mind, superbly mixed with subtle orchestrations of peacefulness and drama.
Technique is both a creative and expressive force in the art of H. Leung. Distinctively semi-abstract, his images allow the viewer’s eye to supply what is merely suggested. This very involving result adds power not only to the impact of his designs, it increases the joy that owning his works provides.
Young Ian Archibald ponders the consequences of a complex critical study of beauty contestants during the Miss TV Times finals in London. (Photo by Central Press/Getty Images). 30 July 1971