If you love someone very much, you care very little about their looks. The beauty of their soul is the thing that matters the most, changing your perception of them for the better. Monty the Cat is a vivid example of this fact. He was taken by his new owners from an animal shelter at the age of three, and became a proud member of their family. Due to a genetic anomaly Monty doesn’t have a nasal bridge, making his appearance rather unique. However, this peculiarity is what makes Monty special, and his new owners love him for it. Though he doesn’t realize that he’s any different from other cats, Monty knows that his owners love him very much.

Some people joke about having clowns at their funeral, but how about having a coffin that looks like a gigantic cellphone? It is impossible to tell at the first glance that these colorful sculptures are actually coffins. The coffins were made by Kane Kwei and his assistant Paa Joe more than twenty years ago and have been a somewhat grim tourist attraction ever since. These coffins were probably made as an advertisement for the actual business, since it would hard to imagine someone actually ordering a coffin such as this.

Aerial shots always amaze us by their magnificence. Human-sized footprints look like ant trails, trees resemble little pieces of broccoli, and landscapes are transformed into breathtaking images, which look like something that can be seen under a microscope. This set of pictures features surreal aerial shots of Botswana taken by Zack Seckler. In the past, to make these kinds of shots, someone had to go up in a helicopter to take a picture. However, today, such images can be easily made using quadcopters, such as DJI Phantom or any other. Thanks to the new technology, we are able to view our world in new ways, allowing us to better appreciate its complexity and beauty. (Photo by Zack Seckler)

The ‘Stop the Violence’ advertising campaign by Brazilian agency Terremoto Propaganda aims to reduce the risk of accidents on the road. The visually grabbing print campaign shows a vehicle painted on the face of one person and the fist of another, drawing the comparison between what is widely known to be intentional violence, such as punching someone in the face, with what many incorrectly consider unintentional, like speeding or unsafe lane changes. Let us know what you think about this campaign in the comments below.

“Dropping” is the work of Italian graphic artist Alberto Seveso. Seveso captured these amazing images or “fluid sculpture” with the use of high-speed photography while mixing ink with oil, as a tribute to the dripping technique of Jackson Pollock. Seveso works from his home town of Portoscuso, Italy creating cutting edge imagery for ad campaigns for companies such as Adobe, Sony, ESPN, Nikon and more. Sevese says of his work: “I don't consider myself as an artist, I'm just someone playing with software and creativity”... (Photo by Alberto Seveso)

French photographer Laurent Chehere's “Flying Houses” exhibit takes workaday houses and lets them lift the imagination. The exhibit is showing at the Muriel Guépin Gallery in New York. Photo: Laurent Chehere's “Flying Houses”: “The Great Illusion”. (Photo by Laurent Chehere)

Kite Aerial photography (KAP) is a hobby and a type of photography. A camera is lifted using a kite and is triggered either remotely or automatically to take aerial photographs. The camera rigs can range from the extremely simple, consisting of a trigger mechanism with a disposable camera, to complex apparatus using radio control and digital cameras. On some occasions it can be a good alternative to other forms of aerial photography.

Automated guided vehicle robot “Ray” lifts up an Audi car during a pilot project at the parking area of the Audi plant in Ingolstadt, Germany, May 13, 2015. The robot has been designed to help make work more efficient and more comfortable for employees, some whom walk up to eight kilometres a day, while coordinating the finished cars for the subsequent train transportation. “Robot Ray” technology, currently being used at Dusseldorf International Airport in Germany, claims to be able to park 60 per cent more vehicles in one area compared with a human driver. (Photo by Michaela Rehle/Reuters)