A woman reacts as she joins around a thousand New Year swimmers, many in costume, braved freezing conditions in the River Forth in front of the Forth Rail Bridge during the annual Loony Dook Swim on January 1, 2013 in South Queensferry, Scotland. Thousands of people gathered last night to see in the New Year at Hogmanay celebrations in towns and cities across Scotland. (Photo by Jeff J. Mitchell)

A woman in a maid costume serves customers the Maid Coffee Shop in the Akihabara District October 23, 2005 in Tokyo, Japan. The Akihabara District is known as the world's biggest electrical appliance and equipment town, but recently this area has also became famous for having many shops delivering products and healing services by employees in the costume of maids and animation characters. Some popular shops include coffee, hair salon and massage shops where females deliver services dressed as maids. (Photo by Koichi Kamoshida/Getty Images)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

A woman lays in a puddle of tomato juice during the annual “Tomatina” tomato fight fiesta in the village of Bunol, 50 kilometers outside Valencia, Spain, Wednesday, August 27, 2014. The streets of an eastern Spanish town are awash with red pulp as thousands of people pelt each other with tomatoes in the annual “Tomatina” battle that has become a major tourist attraction. At the annual fiesta in Bunol on Wednesday, trucks dumped 125 tons of ripe tomatoes for some 22,000 participants, many from abroad to throw during the hour-long morning festivities. (Photo by Alberto Saiz/AP Photo)

Students salute after a man cast his vote at a polling station during the new Family Code referendum in Havana on September 25, 2022. Cubans on Sunday are voting in a landmark referendum on whether to legalize same-s*x marriage and adoption, allow surrogate pregnancies, and give greater rights to non-biological parents. (Photo by Adalberto Roque/AFP Photo)

Many of the 12 million people who entered the US through New York’s Ellis Island wore traditional dress from their homelands. Here: A Ruthenian woman circa 1906 from the region historically inhabiting the kingdom of the Rus, incorporating parts of modern-day Slavic speaking countries. Her outfit consists of a shirt and underskirt made from linen embroidered with traditional floral-based patterns. (Photo by Augustus Francis Sherman/New York Public Library/The Guardian)