Ismail Mustafa, seen in 2007. “I was collecting mushrooms on the hill near here. I didn’t see the mine. There was a huge explosion. When I woke up I saw that both my legs were gone; I thought my life was over. My brother and another guy were with me. They made a stretcher from sticks and tied it together with clothing. It took two hours to get off the mountain. ‘My daughter has also been injured. She found a shell and brought it into the house and put it on the fire. She didn’t know what she was doing at the time – she was only three. She is blind and has lost an arm”. (Photo by Sean Sutton for the Mines Advisory Group/The Guardian)

Merit: A Night at Deadvlei. The night before returning to Windhoek, we spent several hours at Deadveli. The moon was bright enough to illuminate the sand dunes in the distance, but the skies were still dark enough to clearly see the milky way and magellanic clouds. Deadveli means “dead marsh. The camelthorn trees are believed to be about 900 years old, but have not decomposed because the environment is so dry. (Photo and caption by Beth McCarley/National Geographic Traveler Photo Contest)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)

This vase is simple as a piece of cake but it’s so special at the same time – it’s Floating Ripple vase by ooDesign. It’s a piece manufactured in glass that allows any transparent vase to look like ripples in water.
Long-stemmed flowers float vertically in the water and according to the movement of the air, they change their position within the container – so, what can I say? Japanese designers continue to create genially simple and natural-looking philosophic pieces that inspire everybody.

Brian Anderson has been taking images of Glasgow for 20 years, spotlighting both the light and dark side of life. Brian, 40, said: “Glasgow is full of character. It’s a nice city, it’s a crazy city and I want to show all that”. Photo: Police look on as a man tries to break up brawling women in Queen Street. (Photo by Brian Anderson)