“Environmental Migrants: The Last Illusion” by photographer Alessandro Grassani, documents the life of people in Kenya, Mongolia and Bangladesh who migrate to escape environmental stresses to the city of their own countries in hopes for a better life. Here: Asia, Mongolia, March 27, 2011. A view of Ulaan Baator over the shoulder of a slumbering drunk. Alcoholism is a huge problem in the city, home to almost half of Mongolia's people. The capital's population has doubled in the past two years. High levels of unemployment and poverty await herders who abandon rural areas and arrive in the city, illiterate and untrained in any skills necessary for urban jobs. (Photo by Alessandro Grassani)

A woman with a snake on her body, taken in Rio de Janeiro, Brazil, April 2017. A holistic therapist uses snakes to massage her clients – claiming it cures depression and even helps victims of abuse. Instead of traditional massaging techniques, Sarah Zaad uses up to six pythons and boa constrictors on brave customers who want to relax or be treated for mental disorders. The flamboyant therapist from Rio de Janeiro, Brazil believes her snakes have a magic touch, which can benefit people by massaging their bodies. (Photo by Kadeh Ferreira/Barcroft Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

Mercedes Formula One driver Lewis Hamilton of Britain sprays champagne at a grid girl as he celebrates his victory on the podium after the Chinese F1 Grand Prix at the Shanghai International Circuit, April 12, 2015. (Photo by Carlos Barria/Reuters)

This camel clearly didnt get the hump about having its picture taken after posing for a selfie. Pictured joining in with the group photo, the hilarious photo shows the delighted desert dweller smiling happily for the camera. Captured by friends Hossam Antikka, 20, Karem Abdelaziz, 22, and Misara Salah, 24, the group spent around half an hour feeding the camel before deciding to take a snap of their new found friend. (Photo by Karem Abdelaziz/Caters News)

Chacha, the male chimp, screams at a worker in Sendai, northern Japan, Thursday, April 14, 2016 after fleeing from a zoo. The chimpangzee tried desperately to avoid being captured by climbing an electric pole. Chacha was on the loose nearly two hours Thursday after it disappeared from the Yagiyama Zoological Park in Sendai, the city that's hosting finance ministers from the Group of Seven industrialized nations in May. (Photo by Kyodo News via AP Photo)

In this Tuesday, July 14, 2015, photo, Phoe Thaw, center, a member of the White New Blood lethwei fighters club, a Myanmar traditional martial-arts club which practices a rough form of kickboxing, stretches during a practice session in their gym on a street in Oakalarpa, north of Yangon, Myanmar. Three of the club's members competed this summer on a stage a world away from the street gym: a mixed-martial-arts “One Championship” event broadcast globally on cable television networks, where fighters could receive $1,000 for each fight, according to coach Myint Zaw who started the traditional fighters' club 15 years ago. (Photo by Gemunu Amarasinghe/AP Photo)

“Show us our butts! Mucawana tribe – Angola. In Soba village, the Muhacaona (Mucawana) tribe, perhaps the best place i have visited. They use cow dung and fat to make this so nice haircut, and love the beads. They asked me to make pictures of their backs... and butts to see on the camera screen if everything was perfect!”. (Photo and comments by Eric Lafforgue)