Revelers from Grande Rio Samba School perform during the night of the Carnival parade at the Sambadrome, in Rio de Janeiro, Brazil, on February 12, 2024. (Photo by Tita Barros/Reuters)

A villager pours pesticide from a bucket as Mount Sinabung spews ash at Kebayaken village in Karo district, Indonesia's North Sumatra province, on December 4, 2013. The country has ordered the evacuation of 15,000 residents near the active volcano. (Photo by Roni Bintang/Reuters)

“Federico Bebber was born in 1974 in Udine, Italy. Since 1998 he deals with digital art. He uses digital tools based on photography. His creative process usually takes place slowly and at night”. Photo: “Remember”. (Photo by Federico Bebber)

A full moon rises behind Glastonbury Tor as people gather to celebrate the summer solstice on June 20, 2016 in Somerset, England. Tonight's strawberry moon, a name given to the full moon in June by Native Americans because it marks the beginning of strawberry picking season, last occurred on the solstice on June 22, 1967 and it will not happen again on the summer solstice for another 46 years until June 21, 2062. (Photo by Matt Cardy/Getty Images)

Brides display their hands decorated with henna around a bride as she poses for her own photographer during a mass marriage ceremony in which, according to its organizers, 70 Muslim couples took their wedding vows, in Ahmedabad, India, February 11, 2018. (Photo by Amit Dave/Reuters)

A man is reflected in the water as he sleeps on the street in Kathmandu, Nepal, 27 June 2023. Despite the Meteorological Forecasting Division of Nepal already announcing the onset of the monsoon season in the country on June 14, 2023, the monsoon rainfall has not been significantly active yet. (Photo by Narendra Shrestha/EPA)

Participants take part in a parade in traditional attire to celebrate Tamu Lhosar, a New Year festival of the Gurung community in Kathmandu, Nepal on December 30, 2024. (Photo by Navesh Chitrakar/Reuters)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.