A boy stands at the door of a 60-year-old cable car in the town of Chiatura, some 220 km (136 miles) northwest of Tbilisi, September 12, 2013. (Photo by David Mdzinarishvili/Reuters)

An Iraqi girl, who fled from Falluja because of Islamic State violence, poses for a photographer at a refugee camp in Ameriyat Falluja, south of Falluja, Iraq, June 16, 2016. (Photo by Ahmed Saad/Reuters)

Non-Hindus carry nets as they wait on the edge of the crater to catch offerings cast down by Hindus during the Kasodo ceremony at Mount Bromo, Probolinggo, Indonesia, August 12, 2014. The Kasodo ceremony is a way of Tengger Hindus to express their gratitude to God for good harvest and fortune. The offerings range from vegetables to chickens, from fruits to goats, from money to other valuables. (Photo by Fully Handoko/EPA)

Grafitti by the illusive artist Banksy adorns the levee wall in the Lower Ninth Ward on August 29, 2008 in New Orleans, Louisiana. New works by the artist, whose paintings are also sold in galleries, have been popping up throughout New Orleans coinciding with the third anniversary of Hurricane Katrina. (Photo by Chris Graythen/Getty Images)

In this composite image Actress Sophie Marceau has an embarrassing moment as her top falls down while she enters a screening of “Where the Truth Lies” at the Grand Theatre during the 58th International Cannes Film Festival May 13, 2005 in Cannes, France. (Photo by Pascal Le Segretain/Getty Images)

A muddied family photograph sits on a hallway stairwell in an apartment block on March 17, 2011 in Kensennuma, Japan. Residents were allowed back to their homes today and began the massive cleanup operation caused by a 9.0 magnitude strong earthquake that struck on March 11 off the coast of north-eastern Japan. The quake triggered a tsunami wave of up to 10 metres which engulfed large parts of north-eastern Japan. The death toll has risen past 5000 with at least 8600 people still missing. (Photo by Chris McGrath/Getty Images)

Greece-based illustrator, Charis Tsevis took his fascination with our wired world to develop his series of colorful and detailed wire illustrations. He uses all types of wires, including USB cords and phone cables, and creates form figures, faces and animals by tangling them together. Tsevis says, “All of them have to do with the relationship between the network and the human body and spirit”. Photo: “The Conquering Lion: Plug into the power of Reggae”. (Photo by Charis Tsevis)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.