A car mechanic repairs a tire hoop at the Nicolini Collection Car Museum in Lima, Peru June 1, 2017. (Photo by Guadalupe Pardo/Reuters)

Revellers enjoy during New Year celebrations in Manchester, England on January 1, 2019. (Photo by Mercury Press)

A model takes photographs during the World Bodypainting Festival in Poertschach, Austria, July 1, 2016. (Photo by Heinz-Peter Bader/Reuters)

A boy sleeps in a hammock while his mother works at a brick kiln on the outskirts of Yangon February 1, 2015. (Photo by Soe Zeya Tun/Reuters)

A man walks at the empty Karon beach on Phuket Island, Thailand on April 1, 2021. Picture taken with a drone. (Photo by Jorge Silva/Reuters)

An elephant enjoys its back being scrubbed by the keeper on March 1, 1950. (Photo by Fox Photos/Getty Images)

A vendor arranges dates on his cart at a market in Rawalpindi on June 1, 2023. (Photo by Farooq Naeem/AFP Photo)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.