An adult female Masai giraffe rears on its hind legs as it resists efforts by Kenya Wildlife Services (KWS) rangers to guide it into a transportation crate using ropes during an exercise to translocate large herbivores from Kedong Ranch due to land subdivisions and corralling that have disrupted wildlife migratory routes in Naivasha, Nakuru County, on November 16, 2025. Driven by two long ropes held by about twenty rangers, the blindfolded giraffe enters a tall trailer that is to transport it out of its natural habitat in the Rift Valley, which is deteriorating after having been resold. This is the first step in a meticulous relocation operation in the vast Kedong ranch, part of an ancestral corridor between Mount Longonot and Hell's Gate Park, near the iconic Lake Naivasha. (Photo by Tony Karumba/AFP Photo)

Berlin-based artist Sebastian Bieniek unfolds the story of a two-faced female in his series of photographs “doublefaced”. Using an eye pencil and lipstick, bieniek simply draws an image of a face onto the side of skin. The sketch includes only one eye: carefully placed hair hides the rest of the face from view, revealing one, moving eye of the model. Blue, brown, awake, and sleeping variations create portraits with unique expressions and an illustrative sensibility. The 22 photographs of the hybrid girl expose her daily routine – drinking coffee, traveling on the train, taking a shower, and smoking cigarettes – capturing the daily life of a female with two faces.

A Palestinian social activist working for the International South South Cooperation (Cooperazione Internazionale Sud Sud, or CISS) entertain children who are patients inside a hospital in Gaza City August 31, 2015. Activists working for the Italian non-profit NGO use entertainment and humour to help bring treatment to children suffering from psychological trauma in the Gaza Strip. (Photo by Mohammed Salem/Reuters)

Miles Van Rensselaer using everything from glass and crystal to bronze and iron, from gold and silver to tooth and bone, from steel, copper and lead to wood, clay, feather and hair. He has been fortunate enough to work – and humbled by working – with and among talented artists from all over the world. His work is his homage to these people and their vanishing ways of life, his translation of their technique, imagery, idea of “primitive” art into modern Western materials.

Hawaiian surfer Sean Yoro aka Hula combines his love of surfing and his artistic talent, creating hyperrealistic portraits of bathing women at different seaside locations. His work is inspired by street art and abandoned spaces that he uses as his hard-to-reach canvases. Carefully carrying cans of colored paint on the edge of his board, the New York-based artist applies his half submerged female portraits onto the wall.

Miners search for jade stones at a mine dump at a Hpakant jade mine in Kachin state, Myanmar November 25, 2015. Using heavy earth-excavators and explosives, miners have been tearing into Myanmar's northern hills in recent months, in a rush to excavate more jade from the world's richest deposits of the gemstone before a new government takes office next year. (Photo by Soe Zeya Tun/Reuters)

A not-so-famous photographer Robert Jahns can do impossible things with common photos. He takes two pictures and joins them into a single composition. Thanks to this creative idea, which is based on the combination of contrasts, ordinary photos become interesting and attractive. Jahns combines several pictures into one seamless scene. A leafless crown of the tree, layered onto deer antlers, creates a real and natural continuation of the deer`s head. Likewise, a rollercoaster with an overview of the city frightens us by being very realistic. (Photo by Robert Jahns A.K.A. Nois7)

A worker carries a tray of boiled tofu in a traditional tofu factory in Depok, Indonesia, 21 January 2015. Tofu has been a common side dish for many Indonesian families. It is healthy, inexpensive and easy to find throughout the city. Tofu entrepreneurs in Indonesia are suffering due to the weakening of the rupiah against the US dollar and the rise in prices of imported soybeans in the international market, forcing tofu-makers to cut their production and lay off staff. (Photo by Adi Weda/EPA)