A man stands on a jetty on the fog-shrouded Victoria Harbour Wanchai in Hong Kong, China, 22 March 2022. Fog is common in Hong Kong in spr​ingtime when the territory is affected by alternate cold and warm air. (Photo by Jerome Favre/EPA/EFE)

People in quarantine exercise in front of their homes amid Covid-19 full lockdown of the city in Shanghai, China, 27 April 2022. According to the Shanghai Health Commission on 27 April, there were 48 new Covid-19 deaths, 1,606 locally transmitted cases, and 11,956 local asymptomatic infections, in Shanghai city. Despite the death toll rising in Shanghai, the number of daily infections has gradually declined. (Photo by Alex Plavevski/EPA/EFE)

A poster depicts a disinfection worker in North Korea on May 23, 2022. The COVID outbreak in the isolated country, confirmed about two weeks ago, has stoked concerns about a lack of vaccines and medical supplies, while experts said a nationwide lockdown could deepen a food crisis in the country of 25 million. (Photo by KCNA via Reuters)

A woman feeds red-billed gulls on the Haigeng Dam of Dian Lake on March 5, 2023 in Kunming, Yunnan Province of China. (Photo by Yang Zheng/VCG via Getty Images)

Folk artists perform fire dragon dances on a stage on March 11, 2023 in Nanning, Guangxi Zhuang Autonomous Region of China. (Photo by VCG/VCG via Getty Images)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.