Young dancers practice by the Kenya – Uganda railway line, prior to the start of a Christmas ballet event in Kibera, the Kenyan capital's largest slum, Friday, December 15, 2023. The ballet project is run by Project Elimu, a community-driven nonprofit that offers after-school arts education and a safe space to children in Kibera. (Photo by Brian Inganga/AP Photo)

Visitors view Patricia Piccinini's “The Embrace” artwork during the “You Know Who” exhibition at the Abdulmecit Efendi mansion in Istanbul, Turkey, 27 September 2022. The exhibition, which by the organizers is described as questioning “the representation of the unknown in contemporary art, based on the symbolic world of the supernatural and unknown in the Byzantine period”, is shown from 20 September until 11 December 2022. (Photo by Erdem Sahin/EPA/EFE/Rex Features/Shutterstock)

A ballet student from the Kibera based Project Elimu poses ahead of a public show in Kibera on August 14, 2024. Project Elimu, a community driven non profit organization, provides afterschool art, sport education programs for young people age 3 to 22. During school holidays the center holds street perfomances to encourage more students to join the dance center. Kibera is the largest slum in Nairobi, one of the largest in Africa. (Photo by Gordwin Odhiambo/AFP Photo)

A Palestinian youth jumps with a sword as he demonstrates his ninja-style skills for the photographer in front of the ruins of buildings, that were destroyed in 2014 war, in the northern Gaza Strip January 29, 2016. The youths, who have been receiving martial arts training at local clubs in Gaza for the past two years, decided to form a team to hold regular shows in the hope that the publicity generated will eventually lead to them being invited to participate in international contests. (Photo by Mohammed Salem/Reuters)

North Korean leader Kim Jong Un (3rd R) and wife Ri Sol Ju (4th L) enjoy an art performance given by the Chongbong Band to mark the 70th anniversary of the founding of the Workers' Party of Korea (WPK) in this undated photo released by North Korea's Korean Central News Agency (KCNA) in Pyongyang on October 19, 2015. (Photo by Reuters/KCNA)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

These hyper realistic drawings are so lifelike they could pass for photographs. The incredibly detailed works of art were created by self-taught artist Ivan Hoo, from Singapore, who earns a living from his realistic drawings and paintings. The 31-year-old takes up to three days to complete the impressive pieces, which include animal portraits and still life drawings of everyday items such as a Starbucks cup. The A3 sketches are completed using a range of soft pastel pencils and are drawn from still life, or a photograph taken by Ivan himself. Here: Ivan Hoos drawing of a pug. (Photo by Ivan Hoo/Caters News)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)