An Israeli soldier looks through her cell phone as she enjoys the Ranunculus flowers in a field in the southern Israeli Kibbutz of Nir Yitzhak, located along the Israeli- Gaza Strip border, during the Jewish holiday of Pesach (Passover) on April 12, 2017. (Photo by Menahem Kahana/AFP Photo)

A column of sand and front of clouds are seen by dash cam as the car drives near a tornado in Dragalina, Calarasi county, Romania April 30, 2019 in this still image taken from a video obtained from social media. (Photo by Alexandra Puscasu via Reuters)

Clouds in Drakensberg Escarpment in the lowveld, also known as Mariepskop, South Africa in July 2019. Snapped by professional Photographer, Em Gatland, 37, from Greater Kruger, South Africa, the unique shot could easily be mistaken for a dangerous wave rather than clouds passing through a sunset. (Photo by Em Gatland/Caters News Agency)

A health worker pretends to give a shot to a girl's doll to help put her at ease before giving her a shot of the Coronavac vaccine for COVID-19, at a sports center as children age 5 – 11 start getting vaccinated in Asuncion, Paraguay, Monday, January 31, 2022. (Photo by Jorge Saenz/AP Photo)

Sailors pause to take a photo with characters in Times Square during “Fleet Week 2024” in New York City on May 22, 2024. (Photo by Caitlin Ochs/Reuters)

4-year-old Benji, making waves at Arpoador Beach in Rio De Janeiro, Brazil on December 12, 2024. The Jack Russell Terrier who began catching waves one year ago, has become a fixture along Rio's iconic Ipanema Beach. His skills not only impress fellow surfers but also delights beachgoers, who often pause to admire the bond between man and dog riding the surf. (Photo by Bob Karp/ZUMA Press Wire)

A boy attends the “Bloco da Lama” (Block of Mud) group during the carnival festivities, in Paraty, Brazil on February 11, 2024. (Photo by Pilar Olivares/Reuters)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.