A robot, developed by start-up firm Asimov Robotics, holds a tray with face masks and sanitizer after the two robots were launched to spread awareness about the coronavirus, in Kochi, India, March 17, 2020. (Photo by Sivaram V/Reuters)

A motorist holds on to a post as she braves high winds and rain of Super Typhoon Meranti in Kaohsiung, southern Taiwan, 14 September 2016. The storm is the strongest recorded since Super Typhoon Haiyan developed in 2013. (Photo by Ritchie B. Tongo/EPA)

A sеxy model poses for photos during the 2016 Guangzhou Sеx Culture Festival in Guangzhou city, south China' s Guangdong province on November 10, 2016. The festival has featured the latest developments and technologies of Adult toys and reproductive health products in the country. (Photo by Asia Wire)

Frankie the Dinosaur, mascot of the United Nations Development Program “Don't Choose Extinction” visits Times Square spreading his climate-related message in New York on September 21, 2022. (Photo by Alex Kent/AFP Photo)

A woman poses for a photo in front of an installation to promote the film “Godzilla Minus One”, which won the Oscar for best visual effects at the Academy Awards in Los Angeles, outside a popular shopping centre and official development in the Hibiya area of Tokyo on March 11, 2024. (Photo by Richard A. Brooks/AFP Photo)

Developer of “Hizamakura”, or lap pillow, Makoto Igarashi, introduces the product at Trane Co., Ltd.'s HQ on December 14, 2004 in Tokyo, Japan. (Photo by Koichi Kamoshida/Getty Images)

Cathryn Shrimpton, 4, prepares to play the Angle Gabriel during a traditional Christmas Nativity on December 18, 2011, at St Mary's Church, Myton Village, England. In schools and churches around the country children busy preparing and performing in the telling of the traditional nativity story. (Photo by Bethany Clarke/Getty Images)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.