A girl looks on at a diver dressed as Santa Claus performing during a promotional event for Christmas in Seoul, South Korea on December 3, 2021. (Photo by Kim Hong-Ji/Reuters)
Members of St. Dominic Catholic Church take part in a re-enactment of the crucifixion of Jesus Christ, on Good Friday in Yaba, Lagos, Nigeria, on April 18, 2025. (Photo by Sodiq Adelakun/Reuters)
Two visitors take pictures of autumn leaves at Rikugien Garden Tuesday, December 10, 2019, in the Bunkyo district of Tokyo. (Photo by Jae C. Hong/AP Photo)
A man tries on a face mask with his portrait printed on it, amid the spread of the coronavirus disease (COVID-19), at a photo studio in Gandhinagar, India, May 27, 2020. (Photo by Amit Dave/Reuters)
Josef Stalin's head is left in a Budapest street after a statue to the communist dictator was torn from its plinth during the Hungarian Revolution in 1956. (Photo by Robert Hofbauer/Radio Free Europe/Radio Liberty)
A dog dressed in a costume as Greta Thunberg attends the Tompkins Square Halloween Dog Parade in Manhattan in New York City on October 20, 2019. (Photo by Johannes Eisele/AFP Photo)
Becker Automotive Design presents a day in the life of the Becker Cadillac Escalade ESV
The journey begins with the most capable platform on the road today. Cadillac’s Escalade ESV is simply the best built, most reliable, spacious and versatile vehicle suited to our customers’ mission. That mission, of course, is adding productivity – and time – to their busy day, in unequalled safety and comfort. Only Becker transforms a winning Cadillac platform to give Becker ESV owners the greatest luxury of all: gaining useful, productive time
Dutch artist Berndnaut Smilde is interested in the ephemeral -- impermanent states of being which he documents through photographs. For Nimbus II, he used a smoke machine, combined with moisture and dramatic lighting to create a hovering indoor cloud in the empty setting of a sixteenth-century chapel in Hoorn, a small town in Holland. “I imagined walking into a museum hall with just empty walls. The place even looked deserted. On the one hand I wanted to create an ominous situation. You could see the cloud as a sign of misfortune. You could also read it as an element out of the Dutch landscape paintings in a physical form in a classical museum hall.”