Rival supporters taunt each other after the FA Cup Third Round match between Manchester City and Manchester United at the Etihad Stadium on January 8, 2012 in Manchester, England. Localised clashes and stone throwing between fans took place on the streets after Manchester United beat Manchester City 3–2. (Photo by Christopher Furlong/Getty Images)

A rescue worker holds an injured boy after what activists said were airstrikes carried out by the Russian air force in Idlib city, Syria December 20, 2015. (Photo by Ammar Abdullah/Reuters)

Reuters multi-award winning photographers are celebrated here in a three part retrospective on the 30th anniversary of the service's launch. They have captured dramatic images illustrating the human tragedy of natural disaster and war as well as the fallout of economic events across the continents, creating iconic images, recognised around the world. Here: an injured soccer fan is carried to safety by a friend after a wall collapsed during violence between fans before the European Cup final between Juventus and Liverpool at the Heysel stadium in Brussels, May 29, 1985. 39 people died, and a further 600 were injured. (Photo by Nick Didlick/Reuters)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

(Excuse me for the clumsy electronic translator) Today in Moscow presidential elections are spent. Abundantly clear that without dependence from their results the winner will be declared Vladimir Putin. It can lead to the mass protest. Therefore the authorities have deduced on streets of thousand soldiers and policemen. For example, personally I (Avax) see from the window: four buses and two trucks with RIOT police. In photos more low – Moscow on March 04, 2012. A Garden Ring, The Tverskaya street, The Mayoralty, The State Duma, and The Bolshoi theater. (Photos by: Vladimir Maltsev; Source: LiveJournal; Rustem Adagamov; Source: LiveJournal).

Flashmob: Water Battle on All-Russian Exhibition Center in Moscow, Russia, on August 5, 2012. (Photo by Lilja Dal)

“Aquarium or Akvarium (Russian: Аквариум) is a Russian rock group, formed in Leningrad in 1972 by Boris Grebenshchikov (Борис Гребенщиков), then a student of Applied Mathematics at Leningrad State University, and Anatoly (George) Gunitsky, then a playwright and absurdist poet”. – Wikipedia